Scene Analysis of Alfred Hitchcock's
Bede Jarrett once said that "the mysterious is always attractive. People will follow a veil." In the specified sequence of Alfred Hitchcock's Rear Window, narrative form is integral to the film in order to construct a further understanding and create a mysterious tension in the mind of the viewer. The viewer learns which character is in control of the narrative, the cause-effect relationship of the narrative, realizes the relation of the narrative to the plot structure. Furthermore, the audience obtains a deeper understanding of the central characters, appreciates the dual focus narrative, sees that there are many characteristics that make this film a part of the "Classical Hollywood Cinema," and observes the narrative move forward through explicit and inferred events. The narration in the given sequence of Rear Window, clearly demonstrates which character is in control of the dialogue. It follows the social ideal of the 1960's and dedicates the majority of the power in the situation to Jeff. Although Lisa seems to be quite dominant in the initiation of ideas and conversation, Jeff always discredits her comments with clever remarks and sexual references. This is exemplified when Lisa comm
Thirdly, the function of the narrative in the sequence bears great significance in relation to the plot structure. Jeff states that "[Thorwald's] got everything he owns laid out over there in the bedroom waiting to be packed. The first of which is the deadline of Thorwald's departure. Before anything can be done concerning Thorwald's departure, Lieutenant Doyle must arrive at Jeff's residence. In the given scene, Hitchcock attempts to create suspense by instilling doubt in the viewer and sending mixed signals of Thorwald's innocence or guilt. The audience begins to understand Jeff's stand on the topic of marriage through his comments to Lisa. She also says, "we think Thorwald's guilty. This is seen when Lisa comments on the beauty of the music coming from the opposite apartment and questions where a man could get such inspiration. Funny, he never ends up marrying her. Another important element to the narrative is to create the film in cause-effect sequence, as not to confuse the audience. Lisa reveals to Doyle that "it was not Mrs. Doyle is firm in his belief that Thorwald is not guilty, which the audience sees when he states that "Lars Thorwald is no more a murderer than [he is. Lisa emerges from the kitchen and explains that she and Jeff "think Thorwald's guilty. ents that she desires to be creative, to which Jeff remarks, "Sweetie, you are.
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Acceptance Essays
