A Doll's House
In the play "A Doll House" by Henrik Ibsen, the author chooses two very unique characters to play Nora and Torvald. He sets them up in a marriage relationship, which is somewhat unrealistic in today's standards of marriage. Nora plays a weak wife in a relationship where her every action is dominated by her husband, yet she plays along to keep him happy. Torvald is a wealthy man that controls his wife in everything that she does and in his mind believes that she is truthful about everything with him. These two characters provide for conflict although Nora stands for her husband's abuse until she can't take it anymore.Throughout the entire play, Torvald plays the role of the dominant character in hismarriage to Nora. Nora is a delicate character and she puts up with Torvald for eight years. However, when she finally realizes his insensitivity, she knows she must leave him. One example of Torvald's dominance over No
Nora is a woman that relied on her husband, Torvald, for her identity, but everyone has a breaking point. When they are alone Torvald dominates everything that happens. Torvald insulted her in so many ways; he showed her this when he decided that his reputation was more important than his family life and his morals. When Nora closes the door of the house, it's as if she opens the door on a new life for herself. Though it might be difficult to walk out on her children, she left the wrath of Torvald for her own freedom. She says to him, "You have never loved me. This demonstrates the one-sided nature of the marriage and household. Throughout the play, the author shows the different way Nora acts when Torvald's not around. You only thought it amusing to be in love with me. " Nora then decides that she has to leave the house. While from the outside the household may have the appearance of being socially acceptable, the marriage of Torvald and Nora was falling apart because of the lack of identity, love, and communication. The final incident that proves to Nora she must leave and search for her calling takes place when Torvald can't accept that she was trying to help him. Before Torvald realizes that they have the signature and she is not going to get in trouble, Nora realizes his truly ruthless character. Carol Strongin Tufts, in her critical essay of the play, writes about what a major decision this was for Nora.
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