Aline Bernstein
Aline Bernstein was the first woman to achieve professional recognition in the American theatre. She was an artist of many talents. She was a skilled writer and designer. Her devotion and dedication to the theatrical world was uncanny. Aline Bernstein received national acclaim for her design concepts. Her dedication altered the theatrical world by adding newfound elements to it.Aline Bernstein was born in New York City on December 22,1980. She was born the elder daughter of Rebecca and Joseph Frankau. Joseph Frankau was an actor of German-Jewish ancestry. Frankau was originally a poet. However, the language of theatre fascinated him. Frankau's mentor, Harlan, an older man in the literary group he was a part of, convinced Frankau that his true talent was in acting. This was the turning point for Frankau, when he decided to become an actor. Aline traveled the acting circuit with her parents during her childhood.Aline Bernstein's parents had both died by the time she had reached the age of seventeen. Her aunt, Rachel Goldsmith, helped her cope during these painstaking times and became her guardian. She lived with her aunt who had a theatrical boarding house on West 44th Street in New York City. Bernstein was a talented artist a
Two women who were deeply devoted and involved in the house were Irene and Alice Lewisohn. This hiatus gave Aline the opportunity to do more work uptown with other producers. The children's plight in particular seemed terrible to Wald. 249) The relationship was also the subject of one of her stories in her collection, "Three Blue Suits," in 1933 and of her novel "The Journey Down" in 1938. Their artistic temperaments were quite similar however they led vastly different lives. She based her designs on seventeenth, eighteenth and nineteenth century Rajput painting. The author, Thomas Wolfe, was notified of this plan while he was in Europe teaching and trying to find new experiences to write about. She wanted the children to view homes with beautiful art and for them to see the colorful flowers and green lawns in Central Park. It was also one Aline's favorite examples of her own work, which further enhanced her professional reputation. It was written because she had felt the desire to tell more of her story now that there was so much information available to the public because of Thomas Wolfe's books about her. On his return voyage home in August 1925, Thomas Wolfe met Aline Bernstein. This is how Aline met Emma Goldstein who was a known rebel of imposed value systems. Thomas Wolfe and Aline Bernstein's affair eventually diminished. She also published Miss Conden in 1947.
Common topics in this essay:
Playhouse Aline,
Aline Aline's,
Aline Bernstein,
Settlement House,
Broadway Aline,
Clay Cart,
Playhouse Epstein,
Thomas Wolfe,
Miss Conden,
Colette Aline,
aline bernstein,
metropolitan museum,
lewisohn sisters,
museum art,
metropolitan museum art,
settlement house,
thomas wolfe,
institute metropolitan museum,
theatrical world,
york city,
costume institute,
institute metropolitan,
costume institute metropolitan,
henry street settlement,
received national acclaim,
|