Aristotle and Oedipus

             Oedipus is a prime example of a tragidy, according to
             Aristotle's definition in the "poetics". Aristotle's Poetics is considered the
             first work of literary criticism in our tradition. The couple of pages in the
             book mainly describe tragedy from Aristotle's point of view. He defines
             tragedy as being an imitation of an action that is a whole and complete in
             itself and of a certain magnitude. Aristotle also points out terms such as
             catharsis, which can be said that is the purification of one's soul. He argues in
             his Poetics that catharsis is achieved through emotions of pity or fear, which
             is created in the audience as they witness the tragedy of a character who
             suffers unjustly, but is not entirely innocent. Then he moves on to describing
             the main elements of tragedy. Such elements are: plot, character, language,
             thought, spectacle, and melody. Then he classifies these in three parts, the
             media, the manner and the objects. The language and melody constitute the
             "media", in which they effect the imitation. Then there is the spectacle, which
             is the "manner", and the remaining three, the plot, character and thought are
             the "objects" that are imitated. Aristotle considers the plot to be the most
             important of these elements. He describes the plot as not being a unity revolving around one man. Instead, he states that many things happen to one man, which may not
             always go together, to form a unity. At the same time, he says that among the
             actions that a character performs there are many that may be irrelevant to one
             another, but yet they form a unified action. Aristotle continues depicting the
             plot categorizing it in two manners: simple and complex. In a simple plot, a
             change of fortune takes place without a reversal or recognition. In contrast, in
             a complex plot, the change of fortune involves recognition or a reversal or
             both. T...

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