Art History
Abstract expressionism is a 20th century painting style, that features largescale works and expression of feelings through slashing and active brush strokes. It exploded in New York, following World War II. The war brought on victory of abstract and expressionistic art and the creation of the first major original direction in the history of American art. This movement lasted about fifteen years. This form of art was not so much a style as an idea. Abstract expressionists were diverse individuals who had little in common, except what they were against. Based on the freedom of individual expression, this art form got its title because, it was abstract and expression. Abstract meaning emphasizing shape, colour and line with no recognizable . . .
By 1950, De Kooning had developed his own personal aspect of abstract expressionism and he became one of the prophets of new style, a new intensive mode of expression. He thought of women as overpowering, at times repellent but hypnotic evocations of women as sex symbols, fertility goddess and in the tradition of Edvard Munch, a blood sucking vampire. The first is that of the action painters, concerned in different ways with the gestures of the brush and the texture of the paint. Expressive meaning stressing emotions and individual feelings more than design and formalism. An example of the first way is Willem De Kooning. They and their students, were the instigators of abstract expressionism. The major breakthrough into new territory was abstract expressionism. Willem De Kooning was born in Rotterdam Holland, in 1904, and came to the United States in 1926, after which he soon became a close friend of a number of artists who were to be associated with abstract expressionism. Artists from Europe, settled in New York and began teaching. Abstract expressionism is the spontaneous assertion of the individual. It is impossible to make comprehensive generalizations about the movement as a style. The term Abstract Expressionism was first used in 1919 to describe certain paintings of Kandinsky and also found its roots in him. Although he did not exhibit until 1948, De Kooning was a figure painter and portraitist until 1940. Each abstract expressionist had their own individuality. The other group consisted of the colour field painters, concerned with the statement of an abstract sign or image in terms of large unified colour shape or area.
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