Brazilian Music
Music, especially in Brazil, is an expression of feelings, because one's words can be interpreted with sounds in many different ways. The music from Brazil slowly developed itself with the development of the nation. Brazilian music has several countries that have added to its' development of both rhythm and choreography. Portugal and Africa have had the most influence on the development of Brazilian music (Appleby 2). According to David Appleby, the most well known Brazilian dramatic dance and music are the lundu, choro and samba. Lundu is an African originated religious song and dance that was brought to Brazil by slaves in the early 1600's. Because of its' sensuality among couples it was originally condemned by the church and began to slowly deflect itself to a more salon type music. Traditionally, the lundu would use a duple meter in which the stanza was "declamatory". This form of music became very popular in the 17th and 18th century until it progressed into the 19th century not only to music but into poetry as well. Today it's considered the father to more popular Brazilian music, such as the samba, and the maxixe, a 19th century Brazilian dance, which was a tremendous success in Europe (Appleby 60-64).
The first couple lines of the anthem refer to Brazil proclaiming independence from the Portuguese before it was actually granted to them (Appleby 36-37). From Appleby's standpoint, Ernest Julio de Nazareth, was one of the most prominent salon type composure of the nationalist movement. Throughout the last decades Brazilian music has became more popular amongst many international artists. This polka pattern is distinct, because of it's dotted eight note followed by a 16th note followed by 2 other eight's. The merging of the Portuguese inhabitants with the African slaves has produced different sounding musical styles from region to region. The samba describes a variety of styles throughout parts of Brazil even though it is believed to have started in Rio by way of the Bahia. He also established the Conservatorio de Musica, which is the most prominent musical institution in Brazil. So as you can see the music of Brazil has developed itself into it's own internationally distinct music. He is known today as the first Brazilian composer to achieve international recognition throughout the musical world as an interpreter of the spirit of Brazilian art and the unique aspects of Brazilian music (Appleby 120-126). It is usually loud and energetic in style and is complemented with a versatile rhythm with a call-and-response verse (Broughton 559). Heitor Villa-Lobos was the first Brazilian composer to attain international credit. The music of Brazil has a very spirited and energetic tone that is very appealing to most listeners. The clarinet, guitar, cello and tambourine were also dominating instruments (Appleby 4). This formed many negative views and critics as to the modernism of his music. He traveled to Europe, specifically France, where he gained international fame.
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