Clasical
Big band refers to a jazz group of 10 or more musicians, usually featuring at least three trumpets, two or more trombones, four or more saxophones, and a rhythm section of accompanists playing some combination of piano, guitar, bass, and drums. Big-band music as a concept for music fans is identified most with the swing era, though there were large, jazz-oriented dance bands before the swing era of the 1930s and 1940s and large jazz-oriented bands after the swing era. Classification difficulties occur when music stores shelve recordings by all large jazz ensembles as though it were a single style, despite the shifting harmonic and rhythmic approaches employed by new ensembles of similar instrumentation that have formed since the swing era. By lumping the music of all large jazz bands together marketers overlook the different kinds of jazz that large groups have performed: swing (Duke Ellington and Count Basie), bebop (Dizzy Gillespie), cool (Gerry Mulligan, Miles Davis, Shorty Rogers, Gil Evans), hard bop (Gerald Wilson, Charles Mingus), free jazz (some of Sun Ra's work after the l950s) and jazz-rock fusion (Don Ellis's and Maynard Ferguson's groups of the 1970s). Not all of them are swing bands.
Block chords used by swing bands are a prime example of homophonic construction. These instruments included the flute, the French horn, the oboe, and the cello. Funky jazz used bop elements, but they were much simplified. Meters such as 3/4, 5/4, and 9/4 became more common. Then the music arranger decides which measures will be used for solo improvisation. "If you gotta ask, you'll never know" ---Louis Armstrong. " Jazz music combines elements of African music with elements of Western European music. The tonal qualities of cool jazz can be described as calm, subdued, soft, or light. " However, the meaning of jazz soon became a musical art form, whether under composition guidelines or improvisation, jazz reflected spontaneous melodic phrasing. Volumes have been written on the origins of jazz based on black American life-styles. Ella Fitzgerald wowed crowds with her silky smooth voice and upbeat scat singing. One popular method of writing bebop tunes, utilized by Charlie Parker and many others, was to take the chord changes from an existing piece and write or improvise a new melody over those changes. The argument is that people relate more to music with lyrics. The scale used in funky jazz was very similar to the scale which had been used in early blues and had been refined through it's use in church music.
Common topics in this essay:
Charles Mingus,
Cool Beyond,
History Jazz,
,
Thelonious Monk,
Dixieland Dixieland,
Charlie Parker,
City Swing,
Buddy Bolden,
Bessie Smith,
swing era,
cool jazz,
jazz musicians,
swing bands,
jazz music,
louis armstrong,
bands swing era,
benny goodman,
jazz ensembles,
jazz bands,
duke ellington,
western european music,
gillespie thelonious monk,
count basie's duke,
parker dizzy gillespie,
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Acceptance Essays
