Cubism and it's Artists
Cubism was an art movement that developed in the early 20th century. The term cubism acquired its name from the comments made by painter, Henri Matisse and critic Louis Vauxcelles, who described Georges Braque's 1908 work "Houses at L'Estaque" as resembling a bunch of cubes. Cubism has been called one of the most influential and revolutionary movements in art. Cubism was divided into two categories; analytical cubism and synthetic cubism. The cubism movement was developed by a handful of artists, the most popular, of which include Pablo Picasso, Georges Braque, Juan Gris and Fernand Leger. Pablo Picasso was born in Malaga, Spain, in 1881. His father, an art teacher, recognized his son's talent at an early age. When he was only 16, Picasso had his own studio and had already mastered realistic techniques. He did not have much use for school, even though he was attending college. Picasso's personal style began to form from 1901 to 1904. This period was known was his blue period because Picasso often
During the years of 1907 and 1912, he observed the development of cubism in 1912, he painted a portrait of Picasso, which established his reputation as a painter of the first rank. He worked directly with Picasso and Braque until the outbreak of World War I. By 1908, however, Braque had shifted his attention to the paintings of Paul Cezanne, who was reputed to have restored order and discipline to the extremes of artistic expression. used analogous blue tones in his paintings. Analytic cubists reduced natural forms to their basic geometric parts and then tried to reconcile these essentially three-dimensional parts with the two-dimensional picture plane. As he became more successful he began using less blue and more of a deep pinkish red which is called the rose period. Fernand Leger, a French painter, started out working for architects. The construction requirements brought about the introduction of new textures and new materials. Body parts and objects within the picture were broken down into geometric shapes that were barley recognizable as the original image. Compositions were still static and centered, but they lost their depth and became almost abstract, although the subject was still visible in synthetic, simplified forms. The center of Synthetic Cubist painter's attention was now the construction, not the analysis of the their subject. The second category, known as Synthetic Cubism, used more decorative shapes, stenciling, collage, and more vibrant colors. Working with fellow painter, and friend, Georges Braque, Picasso experimented with geometric forms. This division of cubism began around 1912, as artists began using pieces of cut-up newspaper in their paintings.
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