Discuss the Development of Piano Lit From 1830 to WWII
During the 1820s, revolutionary movements overthrew many governments in Europe including Spain, Naples, the Ottoman Empire, and eventually Russia. In 1830, Paris was experiencing the July Revolution where Charles X was overthrown and Louis Philippe was proclaimed the "citizen king." The new ruler allowed more flexible tolerance for new ideas than any other country during this time. Paris felt these effects in a positive way as this flexibility in mindset allowed Paris to nurture and develop the ever growing creativity in the arts. This led Paris to be looked upon as one of the leading cultural centers in Europe.Rather than the exclusive nobility stature that music once had in Paris, the bourgeoisie involvement in the arts increased as a result of the political change. The French Grand Opera became more popular due to this factor. Among the figures were librettist Eugene Scribe and composer Giacomo Meyerbeer. The French Grand Opera also introduced more elaborate set designs which incorporated designs by artists such as Pierre Ciceri, Edmond Duponchel, and Louis Daguerre. The impact that French Grand Opera had on the development of piano literature was that it fortified Paris as a major musical center in Europe. This led to the de
For example, prior to the mid 1820s, Shakespeare was looked at in a negative manner, but due to the revolutionary movements in the Parisian society, these works and others originating from foreign lands were influential as a catalyst for creativity and greatly effected the development of piano literature, performance practices, and other related factions. Although he enjoyed Paris, he was still quite connected to his Polish homeland, which can be seen in many of his works specifically the Polonaises and Mazurkas. This resulted in a rise in sales for these companies. Franz Liszt is often said to be the greatest pianist ever to live making his Paris debut in 1824. As the premier city of fashion, art, and music many artists saw Paris as an opportunity to become famous, as success in Paris often meant worldly acceptance. Chopin settled in Paris in 1831 after Poland had fallen under the Russians. The rise in virtuoso piano concerts led to the further development of the piano. Many great composers, artists, and musicians were nurtured by this environment making Paris a major factor in the development of piano literature. His contact with the public is quite contrasting from that of Liszt's. Victor Hugo's writings on Dante's Inferno influenced Liszt to compose the Dante Sonata from Annes de Pelerinage: Italie. The connection he had with the public was more through works in print and teaching, rather than live performances. He traveled extensively throughout Europe collaborating with many different combinations of musicians. The increased sonority and dynamic range of the piano brought performances of solo concerts and concerti to larger capacity halls. The German trained pianist Sigismund Thalberg arrived in Paris in 1836.
Common topics in this essay:
Franz Liszt,
Pelerinage Italie,
Movement Paris,
Paganini Liszt,
Louis Philippe,
Niccolo Paganini,
Grand Opera,
Erard Herz,
Polonaises Mazurkas,
Beethoven Symphony,
development piano,
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french grand opera,
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franz liszt,
paris major,
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parisian society,
led development,
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