the female persuasion
The versatility of glass as a medium is infinite. It can be generated by nature or protect from it. Liquid or solid, it can distort light or more importantly, reflect the image of the thing that stands before it. Scarlett acts as one such reflecting glass in Gone With The Wind, as she uses her femininity as a mirror to reflect the positive aspects of the men with whom she comes in contact. As a result of the flattering effect of this reflection, men are inclined to change their behavior to be as close to her as possible, even to accommodate her every desire. As is the case with the unfluctuating glass in a mirror, however, Scarlett, being the origin of the reflection, is not inclined to change her own behavior. At every point in the story, she is able to either write off any flaw by "thinking about it tomorrow" or she is complacent to the point of not desiring any change in herself. In Blanche's case, on the other hand, stability acts as her "holy grail" throughout A Streetcar Named Desire, the constant search for which causes her behavior to be impressionable. She demonstrates the characteristics of a structurally different glass, as the raw virility she inspires in men is distortedly reflect
Although Scarlett remains ultimately unloving, the men in her sphere of influence are constantly drawn to her - and away from their belles - because of her ability to make them melt from their own desire. Living at Twelve Oaks was a beautiful thing'" suggests that previously, Ashley had siphoned passion out of his land, and out of his life on that land (GWTW 283). However, in the manner of a prism, some of these attacks (the physical ones which are unable to be "misrepresented" in particular) flow through the prism and destabilize Blanche. Each of these men wants desperately to be picked because to be chosen by Scarlett is to be desired by a beautiful and awe inspiring woman. Blanche's insanity, however, is ultimately a product of her propensity to change as the effect that she has on people changes. Finding out about Blanche's trashy past has convinced him that his lack of virility and aggression was inappropriate for her, being "not [even] clean enough to bring into the house with [his] mother" (Williams, Streetcar 143). It is, at this point, necessary for her to create a trustworthy figure that cannot possibly let her down because he does not exist. For instance, "Brent: I'll get her desert. While her clothing and accessories reflect the grace and charm of a Southern belle upbringing, her superior air solidifies the reader's decision to view her as such. Things calm down again, but the cycle immediately begins again with more vicious virility, ultimately culminating in the fulfillment of Blanche and Stanley's "date" (Williams, Streetcar 155). Immediately after his conversation with Stella, he assumes that it is the papers for the sale of the house that have been kept secret. "I want to eat barbeque with you, Charles Hamilton, and don't you dare go off philandering with any other girl, because I'm mighty jealous" (GWTW 80). Manning puts it, necessary for attracting men.
Common topics in this essay:
Williams Streetcar,
Gone Wind,
Twelve Oaks,
Frank Kennedy,
Stanley Mitch,
Miss O'HaraGWTW,
Named Desire,
Rhett Butler,
Prior Mitch's,
Blanche Dubois,
williams streetcar,
southern belle,
twelve oaks,
gone wind,
change behavior,
frank kennedy,
ashley's devotion melanie,
own desire,
behavior story,
reflection inclined,
devotion melanie,
reflection inclined change,
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Acceptance Essays
