The art of cubism
Cubism, a name suggested by Henri Mattise, was the beginning of an era, which ended artistic tradition. The use of the unprecedented colour was liked by many and dislike by others. It acquired the derogative name 'Fauvism' which was used to mock the lack of form that cubist paintings were believed to have. Cubism was initiated between 1907 and 1910 and only ended when the 1st world war began.The key concept of cubism was to capture the essence of an object by showing it from multiple viewpoints. Therefore it disowned the conventions that had governed western paintings for more than 5 centuries. When looking at cubist paintings, you can instantly see that the flat two- dimensional surface of a plane has been empathised, and the traditional techniques of perspective, foreshortening, modelling and chiaroscuro have purposely been abandoned. This abandonment of the normal conventions presented a new reality in depicting radically fragmented objects, whose several sides are seen simultaneously.Cubism was believed to distrust and disrupt 'whole' images, which are perceived by the eye, these images were considered artificial and too conventional. By recognising that, perspectival space is an illusory, ratio
As a result of this scramble, Britain received control over: Egypt, Sudan, Uganda, Kenya, South Africa, Zambia, Zimbabwe, and Botswana as well as Nigeria, and Ghana. Leading me to believe that, what we have seen in the past is reflected in what our minds have visually created at that moment in time. It gives me the confidence to believe what I envision is normal no matter how much it differs from the next person And it is this idea of perception that really interested me. At this time European countries began to heavily colonise and come I to contact with African Nations, this was known as "New Imperialism". Cubist art creates illusions and at times I it is very hard to distinguish what is real and what is surreal. Objects found in Synthetic cubism visually materialised through a system of illuminated, changeable and interlocked planes. George Braque's brush strokes are very vibrant creating movement in the paintings, his work was not limited to just landscapes and he embarked on using the collage technique just like Picasso. Picasso found the female anatomy fascinating throughout the cubist's era he created several different representations of women, which could be interpreted differently by each individual. This technique posed the question of: " What is reality and what is illusion in nature and painting?" The final aspect of the cubist illusional breakdown was the use of non- coherent use of lighting. Colour played major role in the work, and although the shape remained fragmented and flat they were larger and more decorative. Before learning about cubism I had never really understood about reality and illusion. Many cubists were strongly influenced by the formal simplification and expressive power viewed in black African sculpture, and one very influenced artist was Pablo Picasso. He eventually went back to looking at the human figure and his work, was characterised by brilliant colour texture and surfaces. By departing from the classical figure style a new attitude toward s the expressive potentiality of the human figure began, therefore there was a complete freedom to reorder the human image in the way that you wanted. The work in this phase placed emphasis on the combination of form in the picture, so in easier terms it was the process of representing an object in as many ways as possible.
Common topics in this essay:
Henri Mattise,
Les Demoiselles,
George Braque's,
Juan Gris,
Africa European,
Guinea Coast,
Picasso's African,
Europe African,
European European,
Nations Imperialism,
les demoiselles,
les demoiselles d'avignon,
demoiselles d'avignon,
freedom expression,
african art,
african sculpture,
synthetic cubism,
coherent lighting,
human figure,
collage technique,
due distinct,
artist pablo picasso,
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Acceptance Essays
