Lord of the Rings Evaluation
Peter Jackson (director/writer/producer) has delivered viewers his triumphant midterm middle earth epic, Lord of the Rings: The Two Towers. Jackson wastes no time thrusting audiences into the book's action. The film begins with what appears to be a recap of Gandalf's encounter with Balrog only to reveal itself as a dream of sorts. While the joy and discovery has faded that can never again meet the vivid characters for the first time The Two Towers continues the tale's fundamental good versus evil themes, as Frodo (Elijah Wood) continues to feel the burden of carrying the ring. The films singular revelation of Gollum (voiced by Andy Serkis) adds layers of moral complexity to this central conflict, as Frodo must decide what to do with this decadent and twisted creature that can guide hobbits to the black gates of Mordor, but can never bee completely trusted. With its medieval setting, chivalric and heroic idols, Jackson's imagery could not be clearer in this installment, where the trees are sentient beings. The film goes far beyond the simplicity of being a bridge between the other books. It elevates the tension and accomplishment that was The Fellowship of the Ring, turning it into the magn
There were a number of conceptual hurdles for Jackson and his team to leap in The Two Towers, the biggest being the interpretation of the ents, which are basically giant, walking, talking trees who are the keepers of Middle-earth's forests. In the beginning of the movie Frodo and Sam are wandering through an immense rocky hillside, the light appears to go through a gray filter and the outlook on their journey is bleak. He's a true feast for the eyes, however, there's still an inconsistency in the animation, in that the character's facial features cannot compete or keep up with the vocal performance by Andy Serkis. Occasionally witnessed a few light moments, but they are fleeting. Pantomime is a very powerful aspect in the battle scene when the commander elf is dying and he is looking around at what caused his death, and Aragon quickly takes time to comfort him in his passing in mid swing to kill an orc. " - Peter Jackson The Two Towers is a classic battle between good and evil that creates an effective rhythm, changing from one storyline to another without generating confusion, making the legend live on the screen with incredible logic. The sounds were recorded in a cemetery in California in order to be perfectly lucid. Gollum represents the very state of art animation rendering. I wanted the monsters to feel real right down to the dirt under the fingernails of a Caver Troll or the bloodshot, budging eyes of Gollum. The sound in this film is momentous. Even when the atmosphere of the plot becomes dungy and eerie, there are enough knockout moments that make the audience glad to be a part of the quest and want it to continue moving forward. The music suits the mood of a scene very well, happy scenes, though rare, had cheery upbeat music, where as the depressed scenes had slower more serious music. Peter Jackson's vision taps into those imaginative parts of our brain that barely get functioned. Montage is found scattered throughout The Two Towers.
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Acceptance Essays
