For Ford's Sake
Henry Ford is God. Today's definition of promiscuity is tomorrow's definition of everyday life. Advancement in science takes precedent to advancement in human emotion. Morality is the antithesis of Aldous Huxley's Brave New World-our present society's unwritten rules regarding brotherly love and modesty are simply unheard of. Many novels parallel the likeness of such an environment. The Philip K. Dick novel Do Androids Dream of Electric Sheep? aims at providing its reader with a gloomy, excessively scientific future. Dick demonstrates a world in which synthetic clones of humans, called androids, are invented in order to perform work for the humans but end up rebelling and nearly outsmarting their "masters." Additionally, living animals are a commodity and traded on the black market because they have become endangered due to lack of care from humans and one religious leader takes grasp of the entire Earth. George Orwell's 1984 presents Earth as being on constant watch by the government, called "big brother." Huxley gives us this stone-cold forecast of the future through imagery that presents a pale and rather lifeless atmosphere, through symbolism where historical people, events or discoveries represent m
But if she took two grammes, she ran the risk of not waking up in time tomorrow morning. Huxley continues, describing the skyline: "Like the vague torsos of fabulous athletes, huge fleshy clouds lolled on the blue air above their heads" (61). Huxley symbolizes this to an extent in his new world: "Our Ford-or Our Freud, as, for some inscrutable reason, he chose to call himself whenever he spoke of psychological matters. The progression of sounds and speed of the helicopter suggests advancement in the aviation fields. People in the Brave New World, particularly Alphas, are encouraged to "play doctor" with each other as early as possible. Brave New World author Aldous Huxley exemplifies a tragically lifeless public by implementing harsh and frighteningly cold imagery, by craftily placing symbolism throughout the story to make correlations between the new world and the old, and by shocking the reader with his bitingly ironic situations contrary to those of our present time. Empty, and cold, and rather sick, and giddy. Finally, the usage of extreme situational irony conveys to us that principles deemed commonplace now will be rotting in the gutter at a factory of machine-operating Epsilons in the not-too-distant future. First, Huxley's knack for creating dull, comatose imagery provides the reader with a connection between the warm reality of our current world and the cold dystopia of the brave new world. Since the sky still seems the same as it is today with that vibrant description, that quip suggests the environment is not as polluted as predicted. This situation is eerily similar to the state of mind of many drug-users past Huxley's time from the late-60s Woodstock era to our current world.
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