John Updike
To understand the great American writer John Updike, one must have an understanding of his background. What Updike wrote, how he wrote it, and why he wrote it are all key to understanding his works. This paper will delve into his background & works and even analyze a short story by Updike. Why did Updike write the way he did? John Updike, (March 18, 1932 -) the author of numerous best-selling books, is one of the most prolific of contemporary American writers. Born in Shillington, Pennsylvania, Updike is one of the most financially successful writers in history. His career is often viewed as an unending series of accomplishments, rather than one great pinnacle. He is the master of four genres: novel, short story, poetry, and essay & criticism. His repertoire contains more than those four genres of literature. He has also written children's books, and a single play and memoir, but by and far his popular reputation rests primarily on his gallant works as a novelist (Kirjasto, pg.1). Books of poetry written by Updike are as follows: The Carpeted Hen (1958), Telephone Poles (1963), Midpoint (1969), Tossing and Turning (1977), Facing Nature (1985), Collected Poems 1953-1993, and Americana and Other Poems (2
Essays and criticisms written by Updike are as follows: "Assorted Prose" (1965), "Picked-Up Pieces" (1975), "Hugging the Shore" (1983), "Just Looking" (1989), "Odd Jobs" (1991), "Golf Dreams: Writings on Golf" (1996), and "More Matter" (1999). There was one clear theme evident with the short story "A&P": it's about entering the world in general, being on one's own, and having to take responsibility for one's actions. Sammy had hoped that they'd "stop and watch me, their unsuspected hero. He is a master at observing the plain and ordinary life around him, and frequently, makes the reader recognize or reconsider their preconceptions (Kirjasto, Pg. However, Updike wrote "A&P" in a serious, almost foreboding tone as if quitting his job will have a profound impact on the boy's life. Volumes of short stories written by Updike are as follows: The Same Door (1959), Pigeon Feathers (1962), Olinger Stories (a selection, 1964), The Music School (1966), Bech: A Book (1970), Museums and Women (1972), Problems and Other Stories (1979), Too Far to Go (a selection, 1979), Bech is Back (1982), Trust Me (1987), The Afterlife (1994), Bech at Bay (1998), and Licks of Love (2000). Some could think of the silly rhyme, good, better, best, never let it rest, until your good is better and your better is best. He tends to focus on suburbia and the everyday occurrences that make our lives go on. Before the girls walked into the store and during, (as most readers should notice Sammy's smooth, almost sexist attitude towards the 3 girls) Sammy seems a bit self-centered and not at all empathetic. Updike also frequently writes about the American Protestant small-town middle class. It seems to me that Sammy was trying to impress the girls, make them believe he was something he really wasn't, something that he wanted to be. They follow the life of Harry "Rabbit" Angstrom, a star athlete, from his youth through the social and sexual turmoil of the 1960's, to later periods of life, and to the final decline of Angstrom (Kirjasto, Pg. Updike once said, "Any activity becomes creative when the doer cares about doing it right, or better.
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