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Impressionist Painters

Since the beginning of time, there have been specific groups that have had revolutionary ideas and acted upon them. Such movements have always been met with disapproval, but usually seem to settle into the mainstream of society. The late in the nineteenth century saw such an occurrence, as an artistic movement was forming in France among a group of painters. The new style of art that this group utilized surprised the public at the time and was met with much hostility. Consisting of Monet, Pierre Auguste Renoir, Sisley, Guillaumin, Cezanne, Pissarro, Morisot, Degas, and Manet, this group observed nature closely, with a scientific interest. The group also set out to refute some of the earlier themes in art, such as Romanticism. This movement was to be called Impressionism, and it would prove to have a large impact on how society viewed art at the time, and would have a lasting affect on the history of art. A knowledge of the history, ideals, and painters involved in this era are all essential to understanding Impressionism to the fullest.

The forming of the group was a gradual process. It began as most of the painters went to school together at younger ages. However, the group seemed to be comprised of two main branches.

. . .
” Boudin taught Monet to paint out of doors, a practice that was rare at the time. London, Art Institute of Chicago, 1993. But the headmaster recognized talent in young Pissarro and gave him instruction in drawing. Of the group, Cezanne was probably the least like everyone else as far as style.

The last of the major Impressionists is Paul Cezanne, who was born in 1839. His love for art was nurtured, and upon his return to Paris, he set out to become a painter. Cezanne also attended the Academie Suisse, and was also regularly rejected by Salon. For the most part, the group in the open air and the subject matter was land-, city-, and seascapes. However, Sisley had to leave his paternal father, and came to live with William Sisley, a successful silk flower trader. He developed a love for art when his family moved to the countryside as a result of a job transfer by his father.

All of the artists had a taste for the contemporary scene, and had an interest in the everyday, common occurrences. Monet began painting caricatures at an early age, and was soon noticed by the painter Eugene Boudin. However, he stuck with his comrades and wanted little to do with the Salon.

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