Innnovation Robert Rauschenbeg

The Innovation of Robert Rauschenberg

The artwork of Robert Rauschenberg was constantly changing and fresh, well ahead of it’s time. It inspired Pop Art, Minimalism and much of the work that many people today do with computers. As well, Rauschenberg challenged the ideas of pre-conceived artwork as well as ideas about authorship and how one “creates” the work. Beyond his impact on the artwork, his impact on a social level was also accountable. His artwork contained many images from television and newspapers that were familiar to the public eye. By incorporating such imagery he could make his impacts heavy in both the artistic world and the social world.

Robert Rauschenberg was born in Port Arthur, Texas in 1925. As he grew up he imagined himself first becoming a minister, later, a pharmacist. In the end, he would become one of the most influential Artists America saw. Using his techniques for silk screening, image transfer and painting, he would bridge the gap between Abstract Expressionism and American Pop art. Robert Rauschenberg was inducted into the military service in 1947, this is where he was to find his knack for drawing. While serving in the Marines he noticed he had an affliction for depicting everyday peop

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This piece was a drawing by William De Kooning that he gave to Rauschenberg to use in his project. His “Monogram” consisted of a stuffed Angora goat, a tire, a police barrier, the heel of a shoe, a tennis ball and paint. In this act Rauschenberg spat on the aesthetic concepts of longevity and the sacredness of an original artwork and consequently gained serious academic acclaim. Some were actual works of art and others were technical applications by professionals. Some of which include Joseph Albers and Buckminster Fuller. Rauschenberg said he needed to erase something that was already art to say it was erased art. It was an idea of removing art instead of creating art. This act clearly states his view on authorship and his acceptance of new techniques in the creation of art. Altogether the pieces were one hundred percent original in concept and according to the new laws of art layed down by the Dadaists they were original works by Robert Rauschenberg and hence are accepted as art. Rauschenberg took this drawing, one of charcoal, wax and other media and erased this drawing. html)

One of Robert Rauschenberg’s most impact full pieces was “Monogram”, the first of his assemblage pieces he called “combines. ” A combine is, in general, a 3D collage.

It’s easy to see Rauschenberg’s point of view on the ideas of authorship and innovation in art. For his piece “Able was I ere I saw elba” he went to Japan with images and studies of the piece by Neoclassical painter Jacques Louis David, titled, Napoleon Crossing the Alps, 1800, and had it reproduced onto ceramics before painting on top and having it fired and reworked many times.

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