Themes Of Full Metal Jacket
Film Review: Full Metal Jacket -Warner Bros. 1987Based on the novel by Gustav HasfordThe hardships of boot camp and the vigour of the battlefield, "Full Metal Jacket" follows one man through basic training and into the jungles of Vietnam to fight a war against the very people that they must also protect. The title is part of the technical description of a bullet, underlining the film's focus on dehumanisation."Full Metal Jacket" opens on a group of military trainees who've either volunteered or been drafted into serving in the United States Army. There we meet a parade of characters that range from an anti-establishment rebel, Private 'Joker' (Matthew Modine), and an overweight slob, Private 'Gomer' (Vincent D'Onofrio), to a wisecracking adrenaline junkie, Private 'Cowboy' (Arliss Howard). This part of the film is breakdown of personalities and shows the indoctrination in the ideology of the US Marine Corps. This shows to be a brutal and depressing experience inflicted by the sadistic drill sergeant, Gunnery Sergeant Hartman (Lee Ermey), who was a real drill sergeant for the Marine Corps, drafted in by Kubrick. This gives the visual experience a real sense of fear and tension.One recruit is not suited psychological
One of the film's characters, "Joker" wears a peace pin badge on his jacket and a helmet with the words "Born To Kill" scribbled in the centre throughout the film. Here, Stanley Kubrick is outlining and attacking the pointlessness and the dehumanisation of military discipline. Some argue that this is a message from the Vietnam War itself; the USA, the most powerful nation in the world was being looked upon as impotent by a tiny peasant nation. It show the soldiers settling in Vietnam, Kubrick shows a wide range of incidents and statements which question the justification of the war. The boot camp scenes are, indeed, riveting, and make for uncomfortable viewing. He's not sure, and neither is the film-which is one of its considerable flaws, again outlining the moralities of war. This singing of the Mickey Mouse Club theme takes an untimely place at the end of all the brutality and inhumanity that has been involved in the callousness of war. This part of the film outlines the rules of the Marine Corps, to never leave a dead or wounded comrade behind. We watch as members of the platoon are "picked-off" one-by-one by an unseen sniper rifle, this seems strange because of the extent of the US platoons firepower being undermined by one sniper it seems. The action is savage, the story unsparing, the dialogue spiked with scathing humour. The film comes under the category as "Vietnam War Cinema", a series of films were released under this label in the late eighties. The film is seen to be one of the most powerful anti-war films ever made. This feeling of impotence is extended when the sniper rifle is found out to be one Vietnamese woman. Two scenes were eliminated which would have made the drill instructor a monster: one where he nearly drowns Pyle in a bowl of urine, and one where he orders a recruit who has cut his wrists to clean up the mess he's made before reporting to the doctor.
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