AI and Philosophy
AI: Artificial Intelligence Film ReviewDescription and Critical Discussion:This is because a robot, if it is to have human level intelligence and ability to learn from its experience, needs a general world view in which to organize facts. It turns out that many philosophical problems take new forms when thought about in terms of how to design a robot. Some approaches to philosophy are helpful and others are not. The program must have built into it a concept of what knowledge is and how it is obtained. If the program is to reason about what it can and cannot do, its designers will need an attitude to free will. If it is to do meta-level reasoning about what it can do, it needs an attitude of its own to free will. 1. Attitudes to be required: Science and common sense knowledge of the world must both be accepted. There are atoms, and there are chairs. We can learn features of the world at the intermediate size level on which humans operate without having to understand fundamental physics. Causal relations must also be used for a robot to reason about the consequences of its possible actions. 2. Mind has to be understood a feature at a time. There are systems with only a few beliefs and no belief that they have beliefs.
One of the mecha-producing companies builds David, an artificial kid which is the first to have real feelings, especially a never-ending love for his "mother", Monica. His adventures take him to the Roman Circus-style "Flesh Fair," where mechas are destroyed for the amusement of humans; Rouge City, where Gigolo Joe narrowly avoids capture by police; and finally a submerged New York City, where David's creator William Hurt reveals the secrets of the boy's creation. Self-consciousness consists in putting sentences about consciousness in memory. In AI, we run into the universal problem of humans trying to fulfill spiritual needs by artificial means, and this leads directly to defining Man outside of a religious framework. David is a commercial enterprise, a misguided attempt to tinker a marketable solution to a problem of the human heart. The conflict of the show could be over human-rights issues exclusively, as in the fairly flatfooted missing link movie Skullduggery, or the Outer Limits episode I, Robot. They're also our replacements, pod people. David is meant to replace the couple's hopelessly comatose son, but when their natural child recovers, David is abandoned and sets out to become "a real boy" worthy of his mother's affection. A futuristic adaptation of the tale of Pinocchio, with David being the "fake" boy who desperately wants to become "real". Based on the 1969 short story Super-Toys Last All Summer Long by Brian Aldiss, this science fiction fantasy bears similarities to Pinocchio (1940) and originated as a long-gestating project of director Stanley Kubrick that passed to his friend Steven Spielberg after Kubrick's death. People with narrow views on sexuality are going to be vexed by the ideas in AI, which are MPAA-safe, yet potent just the same. And we made them, they didn't fall from the sky or grow in farms.
Common topics in this essay:
Critical Discussion,
Super David,
Robot Personally,
Monica Monica,
Joel Osment,
O'Connor David,
Professor Hobby,
Gigolo Joe's,
Brian Aldiss,
Pinocchio David,
caps melted,
polar ice caps,
gigolo joe,
real son,
coastal cities,
attitude free,
polar ice,
future polar,
ice caps,
future polar ice,
ice caps melted,
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Acceptance Essays
