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Feminism in To the Lighthouse

Feminism in Virginia Woolf's To the Lighthouse To the Lighthouse, although unremarkable in character depiction by today's standards, was a radical departure from the norm in the period in which it was written. At that time, women were expected to conform to tradition, to remain subservient to men. Virginia Woolf, in creating Lily Briscoe defied convention by allowing her to assert her independence. While the novel remained traditional in the sense that it included female characters who deferred to men, the inclusion of a woman such as Briscoe, an independendent thinker, shocked many readers in the Modernist Era. Throughout history, women have been locked in a struggle to free themselves from the boundaries that separate themselves from men. In many circles, it is agreed that the battleground for this struggle exists in literature. In a field which has typically been dominated by men, women have seldom been represented positively through literary characters. As stated by essayists Quentin Bell and Angela Garnet, even with influential characters such as Lady Macbeth, Helen, and Ophelia, women's views have typically taken a backseat in favor of a more traditional gender role. Some of these women are merely men in disguise


Ramsey makes an allusion to his alphabet theory. During the time in which this book was written, scholarly men wrote well respected books on the intellectual inferiority of women. Immediately, she remembers what Charles Tansley had said to her: "Women can't paint, women can't write. When she does, she is horribly disappointed. There are those who steadily plod forward, systematically running through all of the letters of the alphabet, and there are those who instantly perceive all of the letters instantly in one flash. Of course, this process does not come easy to her. Ramsey has no desire to change her position in society while Lily Briscoe wants nothing else. She represents the change in ideology between the old and the new generations of women at the time. Ramsey then goes to his wife for consolation. Ramsey becomes filled with her words and "like a child who drops off satisfied"(60), he is at last restored. This she gives him, pointing out that Mr. As a result, he begins to think of himself as a failure. At the center of this change is Lily's painting of Mrs. They entertain ideas of a life different from their mother's - a wilder life, perhaps in Paris, where they would not be obligated to take care of a man.

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