african women and music

Blues emerged in the period between the end of the civil war, and the beginning of the 20th century. Originating in the fields of the rural south, it became popular after the emancipation of the slaves. In this form of music, the singer and composer is one in the same, a characteristic not evident in the spiritual songs of the slave communities. Spirituals were somewhat of a passage way for blues. Blues followed blacks to urban societies as spirituals follo

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This form of music is known as gospel music. Work songs and spirituals were recreated on the organs. In the same year, Columbia renegotiated her contract for half of the original contract of 1923. Jazz differed from blues, because it was not much different than the slave spirituals. As a little girl, Emma use to listen to the guys that gathered on street corners at night with their guitars. She also began to sing in popular storefront churches.

Like blues, jazz began to shape during slavery, and in the years after the civil war. By 1928, her popularity leveled off due to a decline in the popularity of blues. Her songs “Down-hearted Blues” and “Gulf Coast Blues” sold 780,000 copies in less than six months. Her first recording was in 1934, and was named “God Gonna Separate the Wheat From the Tares”. African Americans were still living in unjust societies, where jobs were hard to find. After recovery, Emma continued to play, using her right hand. Not only did they have to overcome race barriers, but they also had to overcome the gender barriers alive at that time. It differed from blues and jazz music, as it did not dwell on the sad things blacks faced. Jazz was an approach to feelings, personal expression, pain and pleasure of physical life.

Common topics in this essay:
African American, African Americans, Bessie Smith, Hill Pennsylvania, Jackson Blues, Emma Barrett, Life Bessie, Holy Spirit, Church Choir, Coast Blues, african american, gospel music, form music, american society, blues jazz, african americans, african american society, forms music, civil war, bessie smith, emma barrett, integral african american, african american female, blues jazz gospel, african american women,

Approximate Word count = 1727
Approximate Pages = 7 (250 words per page double spaced)

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