john keats - poetry research
Born in 1795, Keats, the son of a stablekeeper, was raised in Moorfields, London, and attended the Clarke School in Enfield. The death of his mother in 1810 left Keats and his three younger siblings in the care of a guardian, Richard Abbey. Although Keats was apprenticed to an apothecary, he soon realized that writing was his true talent, and he decided to become a poet. Forced to hid his ambition from Abbey, who would not have sanctioned it, Kats instead entered Guy's and St Thomas's Hospitals in London, becoming an apothecary in 1816 and continuing his studies to become a surgeon. When he reached the age of 21, Keats was free of Abbey's jurisdiction. Supported by his small inheritance, he devoted himself to writing. Kerats also began associating with artists and writers, among them Leigh Hunt, who published Keats' first poems in his journal, the EXAMINER. But within few years the poet experienced the first symptoms of tuberculosis, the disease that had killed his mother and brother. He continued writing and reading the great works of literature. He also fell in love with Fanny Brawne, a neighbor's daughter, though his poor health and financial difficulties made mariage impossible. He published a final work, LAMIA, ISA
By identifying completely with an experience - such as that of perceiving an object - the poet goes beyond the reational "meaning" of his own existence, his selfhood dropping away iin favor of a greater "mystery" that is revealed in the art itself. Thus, the first four lines of each stanza rhyme ABAB while the final six lines rhyme CDECDE. The Shakespearean sonnet concludes with a rhymed couplet in which the issue raised in the first twelve lines is resolved. "Ode on a Grecian Urn" consists of eight, the-line stanzas, each following a single rhyme scheme that combines the quatrain of a Shakespearean sonnet with the sestet of a Petrarchan sonnet. the lovers, while forever young and happy int eh chase, can enevr angage in the act of fertility that is the basis of life, and the tunes, while beautiful in the abstract, do not play to the "sensual ear" and are in fact "of no time". O that I could have possession of them both int he same minute. But in the end he decides that htere is only one vehicle that can transport him out of self-consciousness: Poesy, the imagination. this 14 line form begins with three quatrains in which the every other lone of each part is set in end rhyme. the speaker admires this state of existence, but in the end it leaves his "heart high-sorrowful. In Keat's poem, the first eight lines explire the steadfastness of the star, which watches over nature just "as steadfast". In such a way, the doubts and incertainties, which are part of the self's existence, might also be oversome. Brown later wrote the following account, which my offer the reader insight about the ecperience expressed in "Ode to a Nightingale". By the time Keats wrote "Ode to a Nightingale" in 1819, he was familiar with the tribulations of life. - much life the way a mirror reflects an image. Although there are many variations on the sonnet form, most are based on teh two major types: Petrarchan and Shakespearean.
Common topics in this essay:
Ode Nightingale,
Fears Cease,
Grecian Urn,
Awake Pillowed,
Cold Pastoral,
Bird Death,
Negative Capability,
Petrarchan Shakespearean,
Bright Star,
Thou Art,
six lines,
rhyme scheme,
shakespearean sonnet,
ode nightingale,
nightingale's song,
grecian urn,
bright star,
speaker poem,
happiness nightingale,
ode grecian,
tends condition addressed,
addressed explained elaborated,
love fanny brawne,
bright star steadfast,
condition addressed explained,
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