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Emma&Clueless-a transformation

Transformation is not just an excuse for using someone else's ideas, but a way of repositioning both texts for a wider audience allowing reflection upon the new resonating with the old. The transformation process has repositioned the reception of the original text. The setting shifts from early nineteenth century England to contemporary, affluent American society, encouraging the responder to evaluate how the transformation of cultures have changed from the microcosmic society of Highbury to Beverly Hills. Throughout both texts, similar thematic concerns are raised, such as: marriage, self-growth and the relationship between appearance and reality.The patriarchal ideologies of both contexts are reflected through the idea of marriage. In Austen's society, women were classified by who their husbands are. Austen depicts this convention through the use of sarcastic authorial intrusion, having Emma "improve her (Harriet); she (Emma) would detach her from her bad acquaintance, and introduce her into good society." Women had no power and depended on their husband or family members to provide financial support. In 'Clueless,' Cher, the heroine, desires Tai to have a 'makeover' so she could date a male of higher social status. This sho


In the context of 'Clueless,' a 1990s romantic 'teenpic', Josh is younger and more attractive and cannot be shown as harsh and unsympathetic and thus is softer than his counterpart, Mr. In a conversation between Emma Woodhouse and Harriet Smith, there is an implication that sexual maturation and the loss of virginity occurs when a couple marries. This occurs because Frank, in reality, is engaged to Jane Fairfax. " A montage is shown of her friends' qualities and she comes to the conclusion that appearances are not the essentials of a person. They both realise that despite their good intentions it is wrong to interfere in the lives of others. Through the use of authorial intrusions and dialogue with a disagreeing character, Austen manages to depict Emma as an arrogant, overconfident and outspoken young woman. John Knightly about the behaviour of Mr. Women are not pressured to marry in this contemporary context because they are more financially independent and have rights. Knightly, without losing the responder's approval. " The transformation in the texts demonstrates how the values associated with marriage have changed. The relationship between appearance and reality is often confused by the protagonists in Emma and 'Clueless. ' Emma is convinced that she is in love with Frank Churchill even before she has ever seen him.

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