Caravaggio
Caravaggio is considered to be one of the most acclaimed painters of all time, and his painting "The Calling of St. Matthew" is my favorite of all his work. He was born in 1573 in Italy. His is the son of an architect and steward. We don't know much of his childhood, but we do know that he was orphaned at the age of 11. Later that year he became an apprentice to painter Simone Peterzano of Milan, who is known for works such as La Nativita. At the age of 17 Caravaggio set out to Rome. He was bright, intuitive, and eager to learn. He understood the Venetian style of painting, he knew what the Venetians were all about, but did not find the Venetian style fulfilling. He took the defining elements of the Venetian style, opposition of Florentine painting, and picked up a style that was a nearer representation to natural events. Caravaggio invented a painting style based on chiaroscuro in which areas of shadow and light contrast sharply called tenebrism. Caravaggio's painting "The Calling of St. Matthew" was completed in 1600 and took about a year to finish. It is representational and ecclesiastical. There is a system of lines that relate to the space of the painting. The vertical edge of the shutter is exactly in the mid
The fact that Caravaggio used model off the street added to the "down-to-earth" effect. They are barefoot, giving a sense of humbleness, and are wearing cloaks that are not fancy at all. He layers colors sparingly, when his paintings were completed, they were consumed by darkness. " (Hogde and Anson) I agree with this quote referring to the way Caravaggio painted. One night as I was looking at a book of baroque art, I saw "The Calling of St. But as soon as they realize who he is and why he is there, there is a moment of silence. He took chiaroscuro and foreshortening to its limits. The way the light entering the room from the top right corner, to the middle of the painting gives a sense a diagonal symmetry but also adds the vertical symmetry because the shadow ends in the center of the painting. At that moment I felt a chill go down my spine as I realized that there is no way that Caravaggio painted his had like that for no reason. Michelangelo's work has a foreground, background and middle ground, as well as an abundance of light colors, the opposite of Caravaggio's work. I put both of the images in Adobe Photoshop and resized them so that in each workspace, both Adams hand and Jesus' hand were the same size. There is also some light coming from above the tax collectors. He used oilskin to cover the window that is seen in the painting to diffuse the light.
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