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Jump Cabling and Ethics

Linda Pastan's Jump Cabling and Ethics are poems narrated by the poetherself. Both may be experiences in life that Linda had encountered. Interms of the poems' formation, they are similar in the way they werewritten, since both are actually stories written in a structure of a poem.They don't have divisions or stanzas of equivalent lines or syllables.Both Jump Cabling and Ethics are not characterized by any common propertiesof a typical poem. For instance, the last syllable of each line of mostpoems rhymes with the last syllable of its previous line. Or, rhyming isdone alternately. In Jump Cabling and Ethics, however, there are norhyming syllables. This, I can say, is one of the unique characteristicsJump Cabling and Ethics are narrative poems. The way the poems werepresented somehow reveals a feeling of recollection.


This isevident in the following lines. These though were revealed in the last few lines of the poem whenthe woman was in the museum, realizing that the old woman in an ethicsclass's question she had when she was young would soon be her. Something like a silent and deep sigh. The style they were written are similar -- in structure,in language, and tone. Both poems illustrate a womantelling a story in her life. Cabling, like electricity, can be compared to anintense feeling a woman feels when she is with someone she loves. why not let the woman decide herself'The poems Ethics and Jump Cabling both focuses on the narrator's feeling asa theme. caring little for picture or old age we'd opt one year for life, the next for art and always half-heartedly. An instance of which are thefollowing lines. This makes the language used in the poemstender and warm, especially the poem Jump Cabling that illustrates a womanwho narrates an experience of love -- a narration that can make a readerfeel that the words come from her heart. The tone was calm asif the narrator sincerely thinks of her past experience, like she's reallygiving time for her thoughts of that event. The firstlines in Ethics were narrated, somehow, with an uncaring feeling.

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