ticated code of courtly
No doubt Celtic Christianity can trace its roots through British history
for centuries. According to Ashe, Celtic Christianity was Catholic;
however, it manifested itself in a variety of ways, that were conspicuous
in their "attitude to the old gods and mythologies" (132). Because the
pagan myths of old could not be believed in a literal way, they were simply
adapted. (133) In essence, the pagan myths were given a literary facelift
by the medieval writers. The influence of this system made its way into a
plethora of literature, including the stories of King Arthur.
Andrew Lang, one of Britain's noted of men of letters during the
nineteenth century, explains that the "old capricious Gods have departed,
of course, and made way for a deity of mercy and justice" (Lang). It is
from this movement in social beliefs that Malory was able to craft a very
unique and talented Merlin that was not outside the graces of God. Lang
refers to this as a "charm of mystery and distance" (Lang) and a "mist of
enchantment" (Lang). This circumstance, according to Lang, is a:
strange fortune in literature than that which blended wild Celtic
myths, and a monastic theory of the saintly life, with all of
chivalrous adventure, with all of courtesy and gentleness, that the
Middle Ages could conceive, and handed it on to be the delight of the
Furthermore, Geoffrey of Monmouth was responsible for brining the
"enchanter onto the stage of literature" (Ashe 7) around the fifth century.
Additionally, there is little doubt that Merlin's prophecies are creations
of Geoffrey as well. Geoffrey also wrote the poem, "The Life of Merlin"
(12), which lays the groundwork for many myths concerning Merlin. From
these various backgrounds and influences, Malory weaves the elements of the
old world together with the new world that make Merlin such an incredible
charact...