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A Great Day With Otto Dix At The Met

Loving New York becomes easier because the city continually offers theopportunity to see some of the finest works of art throughout the year.This report is a summary of a recent visit to the New York CityMetropolitan Museum of Modern Art. This review covers the assessment of theexcellent work called The Businessman Max Roesberg. The painting is one ofthe more popular examples of the modern art phenomena and is the work ofthe accomplished and renowned artist Otto Dix (German, 1891-1969). "Dix wasone of the leaders of the Neue Sachlichkeit movement, a mode of paintingthat reacted against all that was personal and spiritual in Expressionismwhile still maintaining many expressionistic techniques." (The BusinessmanMax Roesberg) Dix chose to sign and date the work in the lower center with This fine piece hangs in the modern art section of the Metropolitanand has been a part of the museum's permanent collection for quite sometime. Otto Dix created The Businessman Max Roesberg in Dresden, Germany in1922. Dix chose to paint this particular compellation with oil on canvas.As noted in the Metropolitan Museum's placard, this work was recently


"Otto Dix, the German painter andprintmaker, worked in a variety of styles throughout his career fromexpressionism to Dada, but his most celebrated artistic mode was thedeadpan, matter-of-fact realism known as Neue Sachlichkeit (NewObjectivity) seen in the painting, The Businessman Max Roesberg. ased by Lila Acheson Wallace Gift in 1992 (1992. "Their work depicted people and places with such clinical objectivity thattheir pictures allow us to reconstruct the fashion, coiffures, interiorfurnishings, and social life of Germany during the 1920s and 1930s. " (TheBusinessman Max Roesberg)The content of the work represents a man at workwho is accustomed to being there. 146) The purchaseseems good because the work was in excellent shape. "With just a few poignant details he was able to capture theindividuality of his sitters who included prominent lawyers, businessmen,and art dealers, as well as poets, prostitutes, and performers. This great modern art work wascreated in Dresden, Germany in 1922 and has the look and feel of the time. The suit is wellfitted and appropriate for a 1922 business man. " (The BusinessmanMax Roesberg) The colors of the man's suit and the wall makes what could have been apretty boring picture of a guy at work and transforms it into a livelyalmost cartoonish rendition of a man making things happen. The office also seems transformed by theartist's choice of color. The sleek black and silver telephone brings awhiff of cosmopolitan flavor into this small-town office. This report was a summary of arecent visit to the New York City Metropolitan Museum of Modern Art wherethe oil on canvas The Businessman Max Roesberg by Otto Dix sits among theother permanent collection pieces like Isamu Noguchi's Kouros and EdwardHopper's The Lighthouse at Two Lights. Forexample, the gentleman subject is wearing a blue three piece three buttonbusiness suit with his vest neatly showing at chest level. Also on the desk sits a huge telephonethat could easily be used as a prop on an Alexander Graham bell laboratoryrecreation movie.

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