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Donna Haraway Analysis of Haraway Primate Visions

Haraway deconstructs the institution of the museum and reveals the fissuresin the ideology of male discourse and the re-presentation of the world froma certain point of view and ideological bias. The museum acts as a form oflegitimization and as a reality construct that represents the dominantculture. Through a wide range of interacting images and ideas, Harawayexplores the museum as reality creating machine that reflects patriarchal In the analysis of Akeley's life, Haraway presents"polyphony ofstories that do not harmonize". (35) The concept of taxidermy serves as acrucial fulcrum in this analysis; "Taxidermy was made into the servant ofthe 'real' artificial children, better than life, were born from dead The above statement epitomizes the tone and deconstructive nature ofher central theme. This theme is the creation or re-presentation of the


The issue of colonialism is also part of the fiction that isinvented by Akeley. Akeley's creations aresubordinate to certain concepts and perceptions of reality. Typicality is related to the concept of 'perfection' and a perfect animalis dependent on a biased set of ideas. An important aspect is thatthe hunter's selective view of nature is based primarily on a reflection ofhimself as a white patriarchal male. Realism then, in Haraway's analysis, does not become a true reflection ofreality but rather a 'supreme achievement of the artificial art of memory'. Haraway precedes to delineate theseunderlying structures that are the technologies for reality creation. She also states that it is no coincidence that science and realism in artwere combined to serve to create the 'civil order of nature at the AmericanMuseum of Natural History'. They both represent, not the truth, but aselective view of nature and history that masquerades as the finalauthority on truth. They are outside the narrative, which isfilled with cockpits of race and class and sexism. gical format and parameters of those who pretend tocreate. For example, the search for perfectanimals ignores those that do not fit a prescribed pattern such as ananimal with 'asymmetrical tusks'. The Africans are 'boys' who do not participate in thesacred ritual of the white hunt. The 'dioramas are meaning-machines' in thatthey are productions or creations that reflect a certain ideologicalviewpoint and structure; and serve to legitimize and perpetuate that world-view. This is not only a deconstruction of the issues and ambiguities ofa taxidermist's life but also a dissection of Western cultural norms andvalues.

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Approximate Word count = 655
Approximate Pages = 3 (250 words per page double spaced)

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