Masculinity in Films
Every society consists of men and women in its surroundings and community.Families, friends, teachers, and community leaders all play a role inhelping boys and girls define what it means to be a man or a woman. Men aremostly given more superiority as compared too women in every society.Ordinary media representations also play a role in reinforcing ideas aboutwhat it means to be a "real" man in our society. In most media portrayals,male characters are rewarded for self-control and the control ofothers, aggression and violence, financial independence, and physicaldesirability. Thus, parents in every society bring up their childrenwhether a boy or a girl in different manners. Boys are mostly given morefreedom and are encouraged to do stuff which makes them feel like a man.Boys dominate the statistics for delinquency and criminal behavior as wellas school suspensions and expulsions. As a construct of dominant culture,schools are a context where masculine subjectivities are shaped andreinforced and where the notion of gender remains particularly restrictiveMasculinity refers to an ideology justifying, prom
In the end, Kambei delivers amonologue in which he realizes that the only winners of this battle are themorally ambiguous villagers, who are both victims of and perpetrators ofcruelty toward samurai and who will live and prosper because they carefirst and foremost about survival. It is like many, a friendship that arises spontaneously, as soonas the two characters of the samurai meet they from an immediate effect oneach other, which last till the end. Seven Samurai is smitten with landscape, andits otherworldly settings, a hillside blanketed in luminous flowers, acanyon that looks like it was carved by the hand of God just the day beforeyesterday speak with an emotional clarity that erases the distance betweenmovie and viewer. Thus thecharacters show special masculine features when they are in a fight, whichcan vary from long stares and intense silence with the enemies to extremeand loud violence. The most obvious difference in both the films is'The Seven Samurai' have used simple and old fashioned weapons especiallyswords as their source or weapons to fight against the bandits, whereas"The Magnificent Seven' highlights the men as using new technology guns tofight off their enemies. " Is Akira Kurosawa's martial epic, it remains one ofthe two or three great action films of all time. Conclusion"The Magnificent Seven" and "The Seven Samurai" are some of the mostclassic films that have featured the typical masculine features amongsttheir characters. The plot of the film isdeceivingly simple. Media hasplayed a very vital role in portraying the role that has to be played bythe men in the society. There had never been a Japanese film in which peasants hiredsamurai to protect themselves and their belongings, or an aura of thesocial transformation that made such an idea credible had never before beenseen in the Japanese cinema. oting, or advocating maledomination. Amongst the six Samurais each as a different and unpredictable personalityand each is efficient and explicitly perfect in different areas of warfare. Indesperation to protect their land, lives and economy the farmers decide tohire nomadic samurai to protect their crops and people and to get rid ofthe bandits. Here again, the leader showsexplicit features of masculinity by not giving in to the demands of theother people of the group and making the presence of peer pressure felt onthe men who wanted to opt to go back to their homes. Fruits of their labor and hard work,however, are always being taken away by a large group of bandits whichcomes every year, and ransacks the farms and confiscates all the hard workof the farmers and the villagers.
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