According to John N. Burk, "Ludwig van Beethoven, with the exception
            
 of Johann Sebastian Bach, played a more decisive role in the evolution of
            
 music than any other single figure" (24). As a musician, Beethoven
            
 liberated the classical forms from their former restrictions and gave them
            
 an altogether new expanse and flexibility.  He brought to the art of music
            
 new depths of expressiveness that were not known before his time and also
            
 brought new richness of speech to every instrument for which he wrote his
            
 symphonies and other musical pieces. In essence, Beethoven was highly
            
 influential in bringing modernity to the art of music, for as Robert H.
            
 Schauffler maintains, Beethoven "stands as the epitome of the master who
            
 initiated the turning point of the ways of modern art and combined the sum
            
 of past human efforts in the direction of musical design" (45). After
            
 Beethoven, the course of music changed drastically, due to his complete
            
 emancipation of human emotion and his attempts to give expression to every
            
 kind of mood which was worthy of being brought into the scheme of Western
            
       Beethoven's artistic career is generally divided into three distinct
            
 periods. First, ending at about 1800, was his term as an apprentice in
            
 which he was still comparatively under the influence of the forms and
            
 idioms of Haydn and Mozart, even though his strong personality was
            
 asserting itself in everything he did musically. His second period is
            
 accentuated by his deafness which seems to have affected his musical output
            
 very little, for between 1803 and 1804, he produced sonatas for violin and
            
 piano and the famous Eroica Symphony. During this second period, he also
            
 composed the Fourth, the Fifth and the
            
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 Pastoral symphonies, the opera Fidelio, the Rasumovsky Quartets, the Fourth
            
 and Fifth piano concertos and the Violin concerto. With these work...