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Chrysanthemums/Awakening

One of the main objectives of authors is to depict the society in which they live and relate the challenges that individuals of that time period face in their daily lives. Through literature, it is possible to understand and even to sympathize or empathize with the characters as they struggle to find their way through societal barriers. Because of the greater restrictions on women throughout history, many literary works portray the searching and suffering of female protagonists. Edna Pontellier in Kate Chopin's The Awakening" and Elisa Allen in John Steinbeck's "Chrysanthemums," although living several decades apart, both exemplify such women who are constrained by the patriarchal world and want to break out but lose the personal battle. The Awakening takes place at the end of the 19th century, when the Western world was undergoing a major transformation due to the Industrial Revolution and increased urbanization. Women at all levels of society had "awoken," as Chopin characterizes in her novel's title and now were doing what they could to improve their place as independent women. Yet despite this recognition of a desired freedom, women were still primarily restricted by tradition to play a subservient role to their husbands.


Following Rankin's short-lived revival, The Awakening Chopin's work did not come into vogue again until 1953, when Cyrille Arnavon wrote a serious essay to introduce his translation of The Awakening into French. They seemed never before to have weighed much against the abundance of her husband's kindness and a uniform devotion which had come to be tacit and self-understood. Unfortunately, she cannot bring herself to go to the fights. She chooses another option than Elisa. The encounter with the tinker arouses Elisa physically and emotionally. "Steinbeck reveals fundamental differences between the way women see themselves and the way they are viewed by men" (Marilyn L. Although Dorothy Anne Dondore praised Chopin two years earlier saying that she "unveiled the tumults of a woman's soul," Rankin is credited as the first serious revivalist of Chopin's work (5). " and that it "should be labeled 'poison'" (Toth 355). They also do communicate well, only about the day-to-day events, trivial business matters and the children. Pontellier's possessions to dispose of or not. Now that she has awakened, however, she cannot return to her sleeping state and forget what exists beyond her houses' walls. "Why? Because you were not free; you were Leonce Pontellier's wife. As Adele notes: "Think of the children; think of them. If he were to say, 'Here, Robert, take her and be happy; she is yours,' I should laugh at you both," were just wishful thinking.

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Approximate Word count = 2844
Approximate Pages = 11 (250 words per page double spaced)

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