History of Women in ART
History of Great Woman throughout ArtWomen have been active artists and endured their own period of renaissance. Since the beginning of humanity, women in art have been worshipped, venerated, treasured and admired. They also have been defamed, condemned, and abused in art. Although their have been many woman artists, their ability has not always been respected. Today there are many great women artists. It was only in the 20th century when the mass of women became eligible legally and culturally to receive the highest levels of artistic training and recognized as being "great."The major reason for their lack of respect has to do with how women have been looked upon over the centuries. It was once thought that women are not capable of being bright or even particularly intellectual. The common thought throughout history has been that "Women can't make great art" and that creative genius could only be attained by men. Nonetheless, many women were indulged for their eccentricity and determination to make art during the early centuries. These women were daughter of famous artists or they worked in the church. Women were encouraged later to be well-rounded with a variety of skills which didn't necessarily mean visual arts, but
These female artists all had the ability to create unique and individual pieces of art; contribution of significant, impressive, and inspirational ideas to the world of art; and ability to hurdle obstacles that stand in her way. Mary was born in Philadelphia in 1844 and eventually attended the Pennsylvania Academy of Fine Arts until 1926 when she left Philadelphia and came to Europe where she remained until her death. In the later centuries, as times were changing and the world was becoming more industrialized, women were out of the home more. However, instead of renouncing her artistic career, she became a lady in waiting and court painter to Queen Isabella of Valois in Spain (Slatkin 30). She had exceptional artistic talent praised even by Michelangelo, and with her father's encouragement, she produced a large number of portraits. The subjects women painted were also affected by the period in which they lived. After Eleanora of Toledo married Cosimo I de'Medici, a portrait of Eleanora and her son was painted by Bronzino. Many of the same obstacles of the earlier eras still existed especially in the first half of the century but by the 1850's changes in the role of women artists become noticeable. However, her abstract designs always had "a precise message" communicating biographical information or "public or political significance" (Slatkin 164). Kahlo kept all of her emotions bottled up inside of her and was only able to express the way that she felt on canvas. This cheap work force of women was fierce of competition for men, and consequently women's work opportunities became limited to the less profitable jobs (Slatkin 170). Berthe studied under John-Benoit Guichard early on in her career and later with Camille Corot with whom she learned plein-air painting. )Women were not only the force behind works of art; they were also featured in numerous pictures. First, she was educated in the subject at two highly regarded art schools: the Art Institute of Chicago, and the Art Students League in New York (Slatkin 130). Many artists of this era are considered great; however, there is a gender bias when discussing who they are.
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