Heart of darkness language analysis

Length: 3 Pages 729 Words

Heart of Darkness In this passage taken from the Heart of Darkness, the reader is given a number of intertwining themes and symbolic phrases that are presented through the use of specialized language techniques, these language techniques also help to describe the mood of the situation, and the atmosphere. Conrad has used a number of different techniques too communicate his idea’s across to the reader. Some of the themes portrayed in the section include, many metaphors based on the forest, such as the forests power and youthfulness, immensity, and the contrasting natures of mankind and the forest. The atmosphere in the passage remains fairly constant throughout the passage, the darkness and gloom are suggested repeatedly, but throughout you see evidences of other atmospherically changes that occur. In the first line, “going up that river was like traveling back to the earliest beginnings of the world” Conrad has used a simile to describe how going up the river felt. It t Continue...

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ells us that the forest, the further you progressed from the beginning, the further away from civilization, and the present you found yourself in. He uses the language techniques, such as metaphors and personification to subtlety suggest certain idea's about Conrad's underlying themes, they give the reader the mood of the moment, through terms such as gloom, and mystery, we get an idea of what the situation must be like for Marlow. The quote the line a sense of isolation, as though he is traveling into the unknown. Conrad goes further to explain that the vegetation rioted and that the big trees were kings. Conrad makes it seem, as though the forest is fighting the man, as though the forest does not want the main character to reach the end of the river, " you lost your way on that river, as you would in the desert... "Cut off from finding everything you had known once, somewhere, far away, in another existence perhaps. The atmosphere in this section is bright, lurid, hot, seemingly unpleasant, as Marlow says that the brilliance of the sun gave him no joy, even without the darkness, the nature around him does not provide a comfortable living place. By using this type of short staccato language, he gives the sense of confusion that he is in a different reality; he is in the grip of the forest, in the grip of its power. The power of the forest is again emphases when Conrad has used personification again to supplement his point, "it looked at you with a vengeful aspect all through out this passage it is as if the man is at war with the forest, he has to ignore the darkness, and the gloom of the forest, for he is always looking out for hidden dangers that the forest may throw at him, such as "infernal sly old snag that would have ended his voyage, which would have left the forest victorious. He then stresses the darkness of the forest, yet also the heat and light, using words such as gloom, but also brilliance of the sunshine, and how the animals sun bake on the side of the river. To implement these ideas in this situation Conrad has used personification, to give the forest words that people immediately associate power with; big trees were kings. He is giving us an example of how the forest is its own master, how powerful it is. It seems as though the forest is a superior force to Conrad's character, as it "watches him at his monkey tricks as though Marlow is inferior, that his quest is not worthy of the powerful forests attention, that he is just playing around with his monkey tricks, as the forest watches in disdain. As Conrad describes his environment, it takes on almost a supernatural element, that it is not meant for this world, "this strange world of plants of water of silence as though this is the first time this person has encounted such things. Throughout the passage Conrad continually stresses the immensity and power the forest possesses, using words such as impenetrable and thick, giving the reader a sense that Conrad's character is in awe of the natural wonder that surrounds him.


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