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art critics

Art Critics and Art Historians use different styles of writing when evaluating the different aspects of an artist and their artwork. Critics influence and govern the reception of an artwork in terms of its meaning and value, while historians place value on artists and artworks, suggesting their importance. These opposing approaches can be seen in the subjective manner of Robert Hughes and the objective style of H.H Arnason.Art Historian H.H Arnason's "The History of Modern Art" extract is a detailed and factual biography of Pablo Picasso. Arnason evaluates the significance of Picasso in relation to his world, interested in tracing how this artist and his artworks have gained status and how audiences have related to the artworks. He aims to discover meaning about Picasso's artworks through researching and being familiar with his history. Arnason has used an objective writing style, avoiding opinionated and biased word choice: "Picasso's father was an artist and art teacher, and Picasso grew up in an environment of art and artists." Through Arnason's account of


" He identifies this sub-these as "a fear, amounting to holy terror, of women. Arnason suggests links between the events of the time and the ways society and individuals thought and acted. Arnason's writing appeals to an audience who is concentrating on the origin and life of the artist, including his background, influences and achievements. Hughes establishes the relevance between the artwork and the audience "Picasso turns the viewer into the voyeur, the stares of the five girls are concentrating on the viewer. Unlike Arnason, art critic Robert Hughes, in this extract from his book "Shock of the New," aims to map out the different meanings that are represented in Picasso's Les Demoiselles D'Avignon. " His use of subjective language evokes emotions in the reader as he explains the significance of this artwork and attempts to decipher its meaning for the audience. "The walking scrotum, the inexhaustible old stud of the Cote d'Azur. The continuation of the varying approaches of Hughes and Arnason provide a detailed summary of the art and life of Pablo Picasso. Picasso's context the audience is able to distinguish how his styles and artworks evolved, informing the reader about the "significance of his artworks and the intentions of the artist. Through this analysis the audience is able to identify the specific period of time which Picasso was influenced by and grew up in. " He excites his readers with his obvious love of art, his understanding of the historical context of Picasso and also his use of humour. Hughes aims to assess the qualities of the artwork, how the artist has developed and produced his art and how the audience views, understands and appreciates it. " Hughes critical critique gives the audience an in depth analysis of the artists artworks, and the meaning and themes behind the work. The different approach to writing between art critics and art historians provides a basis for the evaluation of artworks and assists the audience to make meaningful interpretations about art.

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