A Literary Critique of Tolstoy
Both Akutagawa and Tolstoy use symbolism as a vessel for conveying their themes. Their uses of setting/atmosphere and point of view, however, differ. Akutagawa uses Point of view to create shifts and conflict; whereas Tolstoy uses it to assist tone. Akutagawa uses setting/atmosphere to compliment his use of symbolism, while Tolstoy uses it delicately and vaguely, asserting the reader imaginative responsibilities to the reader. Tolstoy and Akutagawa's use of literary devices can be compared and contrasted. Their styles are very different While their usage of these devices may differ, it is irrefutable that they increase the quality of their works. Akutagawa and Tolstoy's emphasis on symbolism encourage the reader to discover themes of their stories. In the final testimony of "In A Grove", the samurai states" only a lonely light lingered on the cedars and mountains. By and by, the light gradually grew fainter, till the cedars and bamboo were lost to view" (510). There are several components of symbolism in this reference. The light is symbolic of the truth and the honesty of the testimonies. The fading of the light represents the loss of hope the investigations sustains with each additional testimony. The grove on th
He wants the message of his story to be as clear as crystal. This does not mean that one is better than the other. "When he came in front of the grove, I told him treasures were buried in it. Tolstoy, on the other hand, offers little opinion in his story. At the beginning of most all the testimonies, the grove is referred to, suggesting it is key to the story. Tolstoy and Akutagawa's applications of literary devices are somewhat similar yet mostly different. The reader has the liberty of "painting the picture" and is easily drawn in to his own imagination- along with the story. It is told mostly in the third-person and with little outlook aside from occasional insight on Pahom's inner conflict. World Literature: An athology of Great Short Stories, Drama, and Poetry. Akutagawa is much more descriptive of the setting while Tolstoy is not. "Neither conscious nor unconscious, I stabbed the small sword through the blue-colored kimono into his breast" (508), is much different in nature and content then that of Tajomaru's Confession. MLA CitationAkutagawa, Ryunosuke. It takes over Pahom's subconscious and manifests itself in all of Pahom's thoughts.
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