In many of the different works we have studied, the artists have very different ways in which they treat landscapes. When viewing a landscape painting, one may extract significant amounts of information by analyzing the different aspects, style, context and setting of the work. While some artists use a landscape image to express emotion, others may have more rational concerns. Through the depiction of the landscape, however, one may also learn about the historical and/or social context of the work of art by the manner in which the landscape is presented. In addition, the viewer can analyze the style of the painting, whether real or abstract, in order to comprehend the artists’ intentions or message. Consequently, a direct correlation exists betweent the intention of the artist and how the viewer interprets the work. The six different works of art that will be discussed, have varying aspects, approaches, messages, effects on the viewer and styles, while at the same time present a landscape.
Giorgione Da Castelfranco’s painting The Tempest (ca. 1510. Oil on Canvas, The High Renaissance), is one of the most critically discussed pictures of all time. No one knows what it represents. The contrast between the darkness of the mood, t
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Oil on canvas, Modernism), is not painted in consistently clear tones, light and dark colors alternate continually in a rhythmic pattern. Emotionally, the viewer is touched by the serenity and peace of this work and ultimately hypnotized by its tranquility. The light is merely a path which runs horizontally between two different kinds of dark, trying to penetrate them, but without brightening them. The sky is so extraordinary that it dominates everything else, while our eyes move from star to star. As for the role of color, as our eyes are drawn up toward the light of the sky and peak of the mountain. In the vibrant brightness, which immediately precedes the breaking of the storm, the fluid gradations of light and shadow in an airy perspective occupy a definitive space. Except for its sketchlike form, the focus on the shifting reflections in the water, and the importance of shadows are what appeals most to the viewer. Active in Venice, he created the Renaissance poetic landscape, with its rich colors, soft forms, and gentle sense of intimacy.
In John Constable’s The Haywain, (1821. Monet’s study uses observation of light as his subject matter more than anything else. The brushstrokes are clearly evident and not blended together to depict a realistic representation, rather an impressionistic one. This abstract painting is quite powerful and conveys a presentation of nature that focusses on distance, depth, structure and solidity. The extraordinary depiction of the moon and the stars with their exaggerated light, with their simplified form, orange centers, expanding yellow rings and white highlights, melt with gentle greens into the swirling sky. Starry Night is an abstract representation of a landscape set at night.
Approximate Word count =
1291
Approximate Pages =
5 (250 words per page double spaced)
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