Romare Bearden is among the greatest artists of his generation. His complex and powerful works represent the places where he lived and worked: the rural North Carolina, the urban area of the northern cities, primarily Pittsburgh and New York's Harlem, and the Caribbean island of St. Martin. Religious subjects and ritual practices, jazz clubs, and literature are dominant themes in his work. “Romare Bearden was born September 2, 1912. Bearden's date of birth has been the subject of much debate. Dates have ranged anywhere from 1911 to 1914. However, according to the Register of Deeds in Charlotte, his year of birth has been recorded as 1912.” Born in Mecklenburg County, North Carolina, Bearden moved as a child to New York City with his parents. Although Bearden left Mecklenburg County, North Carolina, as a small child, he returned often through the mid-1920s to visit his paternal great-grandparents who were property owners in Charlotte. He also traveled to Pittsburgh where he attended his last two years of high school, living from 1927 through 1929 with his maternal grandparents who ran a boardinghouse for steel mill workers from the south. These two cities as well as New York offered Bearden countless motifs that were the basis for

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While still representing the dominance of the two-dimensional picture plane and color in his paintings, Bearden rejected the modern-day style. In 1950 Bearden traveled to Paris, France to study philosophy. The subjects Bearden began to use in his paintings ranged from ancient and contemporary literature such as Homer's "Iliad" to the Bible as seen in He Walks on the Water and Christ's Entry into Jerusalem from his "Passion of Christ" exhibition. During the late 70's and 80's, Bearden began using more vibrant, tropical colors in his paintings. One work, Lovers, included in the exhibit showed Bearden's emerging new style of abstractionist painting. In 1952 Bearden returned to New York. ” However, Bearden chose not to follow the modernist tradition of Abstract Expressionism. “Although Bearden rejected many of the modernist Abstract Expressionist techniques, he was heavily influenced by Hans Hoffman's works during this time. “The Bearden home in New York became a meeting place for Harlem Renaissance personalities including writer Langston Hughes, painter Aaron Douglas, and musician Duke Ellington, all of whom certainly would inspire the young artist's imagination. In 1936, Bearden enrolled in night classes at New York's Art Students League where he studied under German Expressionist George Grosz. Bearden experimented with his version of Abstract Expressionism from 1955-1962. In 1944 an exhibition in Washishington D. After suggestion by one of the “Spiral” members, Bearden began to enlarge some of his photomontages. These photomontages were noticed by a New York Art Dealer named Arne Eckstrom who wanted to include some of them in an exhibition.

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