Category III films are those that are realeased in Hong Kong and are not permitted to be viewed by anyone under the age of 18. Because of this label the films carry an expectation of showing what is normally not seen. Be it violence, sex, or language if a film has dubbed Category III then it will contain plenty of these elemtents. However, there are still guidlines to follow in this class. For instance, sex scenes are not merely hardcore sex sequences and must not cross into the realm of pornography. There are also clauses put out by the Film Censorship Ordinance which can be used to censor a film if it portrays certain taboo topics too harshly. It is this closeness to the boundary of forbidden that draws most viewers to see these films. In fact, Category III films have at one point made up almost 50% of all films produced in Hong Kong. These are not underground cult films, but rather highly styliz
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Thus a scene which conveys images of eroticism is kept clean and timid through the use of another explicit aspect ie: human blood blocking our view of hardcore nudity. Plot, it seems, serves merely as a stopgap between each sex or action scene. Scenes such as the one where Tinam takes Kitty shopping at the mall serve only objectify women even more. ed and artistically edited depictions of all genres. Although it features brutal killings and intense sex scenes, they never quite show anything that is too bloody/gory and the love scenes have absolutely no chemistry, romance, or eroticism. In one shot, Kitty is trying on some boots and is shown from an ultra-low shot zipping up the knee high boots. She then runs her hand up the rest of her leg and body.
Jing's Naked Killer falls under the category of detective thriller/femme fatale (even though the film has less to do with detectives as it does with lesbian love affairs). With the emphasis being placed on her sexuality more than anything else, the fact that she is recruited by another lovely female, sex-crazed assisin can be justified. The film is full of bright and broad primary colors, from Kitty's numerous outfits to Sister Cindy’s interesting house. Just when the camera begins to reach an angle from which Baby's naked body would be visible, the blood from their victim starts to fill the pool and turns the water red. The reading makes reference to films that "solicit female or gender-ambiguous audiences" by "downplaying sexual display of women's bodies in favor of athleticism and skill" (Davis 17). In another scene, sister Cindy trains Kitty by locking her in a basement with a deranged rapist and refuses to let her out until she has killed him. This certainly gives the film a novel look and a good deal more individuality than the sleazier and more formulaic movies.
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