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Edvard Munch

Edvard Munch was an amazing talented artist. His obsession with death caused most of his pictures to portray an image of death, despair and anxiety. The Norwegian artist struggled with tragdies at a young age. These tragdies plagued Munch throughout his life, causing him to have a nervous break down and problems in relationships. Despite his dark background Edvard Munch's talent and love for the art forced him to become the clearest impressionist. Edvard Munch "adopted the view" of painting in series. His familiarity with death and despair helped him name the series of "Frieze of Life" and divide his series into four thematic heads, Loves Awakening, Loves Blossoms and Dies, Fear of Life, and Death. These series are linked in vertical lines and horizontal lines. With in theses four categories there are at least ten paintings. A comparison of one painting from in each series, and an explanation of Edvard Munch's background will explain the tormented soul and innovative work of the impressionist Edvard Munch. Born December 12 1863, Edvard Munch was the second son to Dr. Christian and Laura Catherine. They had a large family, five children two sons and three daughters. Munch was only a live a short period of time before experienci


His loved ones death, haunted him everyday, which cause him anxiety towards others; many people felt his paintings were fear filled, and they didn't understand him. The man standing in the background is in a natural setting, in comparison to the figure of a man on the bridge. By this time he is forty five years old and living alone. Edvard Munch receives a scholarship to "Thaulow Plien Air Academy" there his style of painting changes, to create one of his most famous pieces "Puberty". The men are wearing top hats and the women are in elegant bonnets. This left Edvard motherless, but not helpless his mother's sister Karin took over the household. His illness, whether a blessing or a curse caused him to paint "The three Stages of Woman" which is apart of the, "Frieze of Life. The skeleton like faces Munch says were "prisoners in middle class normal[ity]. He enjoyed learning and teaching others. Such as this one "The sky turned blood-red and tongues of fire, tremble with fear, senses [an] endless scream passing through nature. Many of Munches women he paints have darkness or a telling expression.

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