Sanskrit Theatre
Acc to modern critics, Sanskrit drama has a religious origin, as the Vedas are considered as the eternal source of all sublime and fine arts. Some critics also give credit to a semi-religious, secular or popular origin. All the same, there is no conclusive evidence to prove the same. There have been critics who have tried to prove that India borrowed its drama from Greece. But again, there is no conclusive evidence to prove this. India has certainly borrowed several features from different civilizations, including that of Greece, and had successfully assimilated them in her pattern of life. But Indian dramatic literature has several points of basic difference which preclude the possibility of any Greek influence on Sanskrit drama:1. Sanskrit drama with its romantic appeal is closer to Shakespearean drama than to Greek plays of the classical type2. Sanskrit drama does not conform to the unity of time and space, the scenes shift easily from heaven to earth, and gaps of years are created without hesitation. 3. The character and function of the prologue in Sanskrit plays is different from that of Greek plays.4. Sanskrit drama favors poetic achievement over dramatic justification.
Strangely, even before the development of drama on the Sanskrit stage, such a treatise emerged as a guiding and presiding deity. Thus, Indian drama has most possibly had an independent origin, and continual growth until its decline. He is integral to the staging of the play and was expected to be familiar with light literature, different dialects, people and places, as also the technical details of the stage. (This certainly rules out the possibility of any foreign influence in the origin of Sanskrit drama. Thus, the development of dance and drama traditions began even before the composition of the first Sanskrit plays or the Natyasastra of Bharata. In this state a complete identification is reached between the actor and the spectator, and the heart is attuned to a transcendental state. a is seldom composed for the masses, unlike Greek drama. The Hero had to be a symbol of nobility, exalted and larger than life. The Main Characters in Sanskrit Drama:Owing to the restrictions imposed by treatises such as the Natyasastra, and the need for the dramatist to keep a vigilant eye on the golden principle of accomplishing three-fold objectives through drama, other such classifications and the love for detail, the dramatist had to turn to epic for his ideal models, and sacrifice dramatic justice for poetic bliss. Sanskrit drama imitates the state or condition, whereas, Greek drama imitates the action.
Common topics in this essay:
Theatre Acc,
Eg Dushyanta,
According Rasa,
Drama Owing,
Vedic Aryans,
Theory Rasa,
Kama Sanskrit,
Veda Strangely,
sanskrit drama,
Sage Bharata,
Sanskrit Drama,
conclusive evidence,
poetic achievement dramatic,
evidence prove,
greek drama,
prove india,
unlike greek,
drama sanskrit,
achievement dramatic,
prove india borrowed,
dramatic representation,
conclusive evidence prove,
india borrowed,
|
Acceptance Essays
