A clockwork orange
The English language is widely diversified and for many people is common ground for complete strangers. Anthony Burgess is very knowledgeable in the English language and is able to manipulate words in context to his advantage. Burgess proudly uses his gift of words in his novel A Clockwork Orange to display his awareness of a totalitarian government’s exploitation of psychological control, inspiring him to write warnings of post World War II Britain (Ruggles). In the novel, Alex and his gang are “Simply the products of an England where the bourgeois middle-class have become so quiet and passive that the young who have succeeded them have chosen evil as their way of life, as one assertion of the will” (Scott-Kilvert 190). Burgess modeled his main characters in A Clockwork Orange after hoodlums who interrupted he and his wife’s dinner in a restaurant in Leningrad. “Burgess believed the delinquents was after him and his wife, the capitalist enemy. Having escaped the restaurant safely, Burgess believed them to resembl . . .
“I gave the ultra-violence, the crasting, the dratsing, the old in-out, the lot, right up to this night’s vesch with the bugatty starry ptitsa with the mewing kots and koshkas” (Clockwork). Often times he would write about specific pieces of music, but more importantly, he would directly incorporate elements of music into his writing. His writing would commonly contain a sort of rhythmic flow and sometimes a subtle rhyming scheme that would accompany his creative and colorful language style (Riley 70). Burgess would often use a specific musician or piece of music to depict an act of violence in a romantic or artistic way. The situation in A Clockwork Orange is not a very difficult one to imagine and not too far removed from the present. And the boastful Government too” (Clockwork). e the 1950’s English Teddy Boys” (Flynn 166). However, later in the story his right to choose right from wrong (or violence over kindness) is removed entirely, not to mention his ability to enjoy his formerly favorite style of music. The English language today bears the traces of numerous invasions and the resulting influence on the English people, most notably that of the Scandinavians, the Romans and the Normans (Scott-Kilvert 190). The author is most well known by the pseudonym Anthony burgess (also known as Joseph Kell)(Encyclopedia Americana 786) his real name though is John Wilson (Wilson 54). Removed by the government’s use of psychological control. In this sentence, the main character in the novel is imagining an act of violence he is committing while listening to this song. The vernacular is cleverly based on odd bits of rhyming slang; it includes a little gypsy talk and its basic roots are Russian.
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