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The Roles and representation of Women in Canterbury Tales

While The Canterbury Tales are lauded for accomplishing many things, the diversity of the characters themselves is by far one of the most entertaining aspects of this literary work. The Canterbury Tales represent depictions of persons Chaucer would have been familiar with in 14th Century England, exploring truth and stereotypes in the same breath. Through the stories told by the pilgrims, we get a clear picture of all types of social life in medieval England, man and woman alike. He establishes a menagerie of opinions about women and their worth, as well as their close association with innate evil, and I hope to explore these principal views through an examination of four selected tales. While The Knight's Tale appears to be one of chivalry, honor, and morals, it houses a jaded outlook on women, and how they cause the downfall of men. Emelye plays the part of the beautiful woman who captivates the hearts of two unsuspecting men, a seemingly cardboard cutout character. She is described by the knight as a fairy tale maiden, but we learn more from what he does not say about her. The setting that surrounds our first vision of Emelye is a facade--a garden that appears as a symbol of purity and fertility, and yet a symbol of t


I can't say it any better than Chaucer himself: "In beginning, woman is man's ruin" (Chacuer 2000). She also points out that Jesus never lays down a law about virginity, and essentially states that we have the parts for sex and should use them as such. Chaucer's description of the prioress, both physical and emotional, contradicts what one would expect of a nun. The Prioress, by simply telling her story, confesses to being an Anti-Semitist. This causes the narrator to take an aside from the story to tell us his own opinion on women but says that it is the belief of many men and not his own in an attempt to perhaps cover himself. And although she does not wish to have either of the two, preferring a life of chastity, she freely acknowledges her role as a pawn to the knights. The Nun's Priest tries to avoid being criticized for his anti-feminism. Those who use religious texts to argue for the submission of women are the most fervent targets of scorn for the Wife of Bath. Throughout history, woman has been the most closely linked gender with the portrayal of evil--woman the witch, the spell seeker, mistress of the devil. ' The Wife of Bath's manipulations can be seen as an economic shrewdness. She is merely adhering to the Christian principle of "be fruitful and multiply. The Prioresses' character reflects her physical description as she negates her vow of poverty, treating herself to luxuries unbefitting a nun. Emelye is the most passive of all the women characters in the Canterbury Tales, as she accepts a destiny that is given to her; because of this, she is situated as far as possible from the Wife of Bath.

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