Bend it Like Beckham
Some reviews are labeled "Bend it like Beckham" as a "heterosexist cop-out". How are alternative models of sexuality conveyed in the film? To what extent are the views of the gay press justified? The film "Bend it Like Beckham" outlines both negative a positive aspects of homosexuality. Gurinda Chadha uses costume, makeup, blocking, gesture and dialogue to capture common homosexual stereotypes that play a significant role in contemporary society. Through humour and reason, numerous optimistic and pessimistic outlooks of homosexuality are created which generates an impression of cliche personalities for lesbians and gay. Throughout 'Bend it Like Beckham" different views of homosexuality are accepted and rejected. Where Tony, a close friend of Jess (the main character) "comes out of the closet", he is given a calm and respectful response. Lesbians however, a subject of ridiculous panic are confined to stereotypical "tomboyish behaviour". This conduct is enhanced in many scenes revolving around Jules. She resists "push-up" bras and clothes that clearly sketch her body, and is evidently obsessed with sport. This is juxtaposed against the exaggerated femininity of her mother, whose clothing (consisting of tight pink and p
Insulting female sport players, it hints that the whole subject of lesbians is a great tease. The feedback to the belief of Jess and Jules being lesbians spreads a non-accepting atmosphere through the audience. "Bend it Like Beckham's" inputs of lesbians appear as a tainted joke and an object of abuse. Although it establishes a firm base of great nature for gay men, lesbians however are lowered in status. The Indian boys surrounding the storyline are mainly disrespectful and sexist. Jules's mother also advocates that it is an offense to be a lesbian and commands Jess to:"Get your lesbian feet out of my shoes" Bearing in mind that homosexual issues are vital in the movie, many representations of homosexuality were not adequately considered. This is done through discriminating jokes and exaggerated outbursts to lesbian discovery. In the scene of the last example Tony is situated on the side, it corresponds to Tony's deferential stance. urple outfits) and dialogue associates with her homophobia. During the scenes with Jules's family the positioning of Jules's father always in the middle conjures up their dissimilarity. Jules Mother: "How could you be such a hypocrite? How could you be so disrespectful here with your lot when I know you've been kissing my daughter in broad daylight?!"This statement implies that lesbian actions should be well hidden. This act portrays Tony as a brave and selfless nature which once again raises the gay press a knot. Many characters in the movie describe lesbians as women with 'dyky' appearances. When Tony uncovers his secret, a female provided him with a safe and secure response whereas a male might have been threatened by this revelation. This includes Jess and him to marry under the condition of her being able to go to university overseas and thus fulfill her dream.
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