What features make the Pont Du Gard and Leptis Magana Roman?
The Theatre at Leptis Magna and the Pont Du Gard Essay:The Theatre at Leptis Magna, found on the North African Coast, and The Pont Du Gard in Nimes South of France, both outside of Rome. Are structures, which can clearly be identified as Roman structures by the use of certain features of the constructions, which are recognised as being Roman architectural traits.These traits not only give the structured a Roman identity but also withhold the presence and influence of the Roman control in the areas which they are situated.The Romans base the Theatre at Leptis Magna on a Greek design with a few adaptations in order to make it their own.Greek theatres were found to originally be; very open aired, using the surrounding countryside with the Cavea supported by slopes and a fully circular Orchestral pit.However the Theatre at Leptis Magna has a Roman touch with adaptations such as; being more enclosed with a very elaborate Scanefron
Originally in Greek Theatres the space in front of the Stage, called the Orchestral Pit was of a fully circular design and used as a 'dancing area'. A Velarium would be extended over the Cavea on a very hot day in order to protect the crowd and consequently increased the intimacy of the theatre and its experience. The awnings used by Romans were referred to as Velarium. Similarly to the Velerium, wooden planks would be placed across the Odea, so that the performers and the audience were completely enclosed. The Romans however adapted this design and made Pit a Semi-Circle, adding five shallow steps for the placement of marble seats for important guests and was cordoned off from the rest of the audience by stone walls. The size, cost and length of time it would take to build these constructions meant that the Roman control over the territories which they are situated had to of been very strong and influential in order to complete the building process and for the structures to be accepted and remain present in the region after thousands of years. Placed Behind the Stage is the Scanefrons or the Ornamental Backdrop. s, and the Cavea being only partially supported by its surroundings and a semi-circular Orchestral Pit. The Structures of the Theatre at Leptis Magna and the Pont Du Gard, can be clearly identified as being Roman, with the use of certain features within the designs which are recognised as being Roman architectural traits and their presence shows the influence and control the Romans had of territories outside of Rome. Initially the Scanefrons would be arranged in a series of three Asps; a large central Asp and two smaller Asps on either side and was made at a lower height than the Cavea. The Roman design of the Leptis Magna had a more elaborate Scanefrons made of a series of columns, with statues being placed in between each column and extended its height to be the same as the Cavea, which effectively cut off the outside world from the audience. The presence of these two structures, in the North of Africa and the South of France, withholds the influence and control of the Romans outside of Rome. The Cavea of Greek Theatres were completely supported by the slope of the surrounding countryside. Unlike the Greek design the Roman Theatres were only partially supported by a slope or bank. Unlike Greek Theatre's, The Theatre at Leptis Magna was not as open aired as either a shade awning or a wooden roof could be used to enclose the theatre.
Common topics in this essay:
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