Under Milk Wood
"To what extent can 'Under Milk Wood' be considered a 'play for voices'?"When most people think of a play, they think of dressing up and going to the theatre; costumes; romance and comedy; ice cream at the interval and, of course, pantomimes.Dylan Thomas's 'Under Milk Wood', however, is none of these. Being, as it is, a radio play; the theatre is wherever the listener's radio is. The romance and comedy appears in the play but it fits into no fixed genre. The eating of ice cream is not fixed to the interval; the listener may eat it whenever s/he feels like it. The major difference is, however, the fact that the listener cannot see the actors and so this play must be made to be a play for voices.The first and foremost evidence of the fact that this is a
For example, near the start of the play, the characters are all in bed dreaming. For example: one of the 'larger' residents of the town, Mr Waldo is in bed sleeping. "Also, if on stage, the audience may well not quite get the full effect of things like these in the play. This first sentence helps us to picture the cobbled streets and the sea complete with fishing boats without ever having known anything about the town before. 'Under Milk Wood' is a definite 'play for voices'. There are also things described in the play that the user might not be able to see and might not find out were this play on stage. In fact, in this play, the listener may well get a better picture of the scene than they would if it was on stage. a milk stout and a slice of cold bread pudding under the pillow. After all, would Macbeth or Oliver Twist work if you read them out on the radio?. The various words used to describe the different types of black help us to picture what each part of the town looks like. Not only is the scene set well in this play, but because this is a play for voices, the scene can be changed as many times as the writer wishes and scenes can be depicted that may well not be possible on stage. play for voices is the fact that there are narrators to describe the setting and to tell us who is speaking but who do not tell the story.
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