The Dominance of Death
Can someone suddenly faced with the death of a father and the monstrous corruption of an uncle overcome their fear as well as the meaning behind death? Confronted by the pains and sorrow of death, the main character from Shakespeare’s Hamlet must search and find the meaning behind the whole idea of death. When looking deeper into the life of young Hamlet, it becomes easy to see a lonely and tragic figure living in a hostile and isolated environment that views the world only as a meaningless and unexplainable state. Hamlet becomes lost and obsessed with grief and so fascinated by death that he must overcome it and take action. William Shakespeare uses the motif of death to show that morbid people faced with a difficult task can not take action until they accept the uncertainty of the outcome. Hamlet has trouble accepting the anguish of his father's death, and he becomes infatuated with grief and expresses his sorrow to a great extent. For example, he considers himself caught underneath "all of the forms, moods, and shapes of grief" (1.2 85-86) of his father’s death, and does not know how to release himself from his suffering. Up until this point, Hamlet has been grieving over his father's passing for over two months, and ha . . .
Without a true father, it is evident that Hamlet needs some kind of guidance and his corrupt uncle has trouble delivering it to him. In this way, Hamlets soliloquy connects his fascination between the idea of suicide and death, explaining the difficulty in knowing the truth and not taking action. 4 72-75) Hamlet refuses to change his outlook on the situation, and he is clearly feeling sorry for himself and does not know what action he should take. For example, Hamlet considers the world to be “weary, stale, flat and unprofitable” (1. s become fixated with the idea of him being dead. No one would choose to endure the pain of life if he or she were not afraid of what will come after death, and it is this fear that interferes with the initial action. The intriguing and commanding force of death stresses the mentality of Hamlet, and when finally understanding the consequence of it, can he ultimately complete his mission. Hamlets difficulty for accepting death for what it actually represents leads him to several different interpretations, including suicide. Lost in his own confusion, Hamlet contemplates the taking of his own life, setting him free from the corrupt state of Denmark. Opposite of Claudius’s intentions, his plan backfires, and even though Hamlet had been stabbed with the tampered sword, Hamlet is informed by Laertes, Polonius’s son, that he has been slain, and that “no med’cine in the world can do [him] good. After being trapped under the sorrow of the aftermath of past events, one of Hamlets first solutions to deal with the problem becomes the thought of suicide. Hamlet then comes to the realization that all men eventually become “dead and turned to clay”, where they might “stop a beer barrel” or “sop a hole to keep the wind away” (5. Hamlets furthers his ideas by considering the afterlife, or “the dread of something after death” (3. Although many of his thoughts about death concern the spiritual consequences of dying, for instance the possible torment in the afterlife, it seems as if he is just as fascinated by the decomposition process of the body.
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