park chan wook
Revenge and Fate in Park Chan-wook's MoviesThe Korean film director Park Chan-wook's recent movies focus on tragic aspects of human fate and revenge. "My themes repeating without my real intention, are violence both as a criminal act and an evitable act committed by someone who wants to be rescued from the misfortune." (Park. Interview 61) Like his statement, director Park portraits the characters who can never escape from their fate. Then how are these distinctive features represented in his movies? In what points are the movies same or different? "Sympathy for Mr. Vengeance" (2002), "Old Boy" (2003), and "Three, Monster" (2004) clearly show how explicitly Park has depicted the tragedy of human desire by using ironical devices and direct "Sympathy for Mr. Vengeance" (2002) is a story about a victim of fate who has lost his loving daughter. After being fired from Dong-jin's (Song Gang-ho) factory, Ryu (Shin ha-gyun), who has hearing difficulty, sells his kidneys to save his sister's life. But he gets swindled by the secret dealers of the internal organs and he kidnaps his ex-boss Dong-jin's daughter to make money. After a while his sister finds out the fact
He locks the director in a studio and starts a weird game during which he ties up the director's pianist wife (Kang Hye-jung) and cuts her fingers one by one. Moreover, through his movies, he could seize a part of the korean film history talking about untouched subjects such as problems between classes-in "Sympathy for Mr. He expresses taboo provisions and human desires without hesitation that now many people can sympathize with these unfamiliar topics. Another of Park's movie, "Three, Monster" (2004), a project of three east-Asian directors, describes revenge in different way showing the process of dignified people becoming monsters. Lee Woo-jin's revenge was also incited by Oh Da-soo unconsciousely when he indirectly caused Woo-jin's elder sister to die. He hesitates to the last and slowly becomes insane, finally compelled to strangle his wife to death. Finally Woo-jin shoots himself to death and Dae-soo asks a hypnotist to erase all the memories of him and Mi-do. Unfortunately, the characters never realize that 'revenge' is the worst choice of all and strangely the director dissappears silently without any sympathy or pity for this merciless ending. To save his wife, Ryu Ji-ho must prove that he is not a kind person by killing a little girl taken by the stranger. Director Park Chan-wook's movies include unusual cruelty and shocking scenes to deal with some problems of revenge and fate. Woo-jin (Yoo Ji-tae), the man who kept him, contacts Dae-soo and promises that he will kill himself of Dae-soo finds out the secret for why he was confined. Two kinds of revenges exist together in this movie. The object of the revenge in this film is society, not a person, which is the main difference from previous movies. Vengeance" (2002) and "Old Boy" (2003).
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Acceptance Essays
