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What is architecture and how do we experience it?

When researching the readings in Pierre von Meiss's Elements of Architecture, I have found no easy answers to either of these questions. Although it's true that architecture is not regarded as a single window, door, wall, etc; it is the product of all these things in totality. Each of these can be architecturally examined and argued, but we must look at the building as a whole to really experience it. Architecture cannot be explained through science, mathematics, psychology, or any other type of classification but it utilizes each to make it a unique destination.

Von Meiss begins this study of architecture by dissecting the origins and applications. Analizing and diagramming are an essential part to the success of every structure. With changing times brings new methods and materials to these design fundamentals. Through this many examples we strive to find a universal link to explain evolving architecture. Universal principles in architecture are quite apparent. There are many structural consistencies, which place a scientific explanation of architecture. In earlier times many regarded architecture as a science: integrating the art of bu

. . .

This is one example of figure and ground relations.

To try to sum up von Meiss's first chapters we must look more intensely at what we consider architecture and how we experience it. Figure and ground is a common study used in many professions but where as in psychology or art these things are extracted from reality; in architecture it is done in reality. genius alone will not make an architect. However, when we experience architecture we must also consider the senses not often associated with the structure. Continuing with this wholesome terminology, we experience architecture not just through our vision, but also through all our senses. Personally, I disagree with this statement because science deals with the direct cause and effect where as architecture leaves room for artistic impression. Procedures including explaining architecture from two perspectives: theory and practice. Others think that the artistic aspect of architecture must be more thoroughly pronounced, such as Francois Blondel who said, ". Body movement measures the space in the specific structure.

Since vision is the primary way of experiencing architecture, we must look closely at the different perceptions one may have when viewing a structure.

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