Feminism in
In A Doll's House, Ibsen presents a view of the world that is unconventional to say the least. He breaks from tradition to compose a play that deals with what were at the time controversial social issues, and he presents a view of these issues that was highly unpopular. In A Doll's House as well as in many of his other plays from his modern period, Ibsen was criticized because he dared to break new ground and to challenge the accepted values of his society. So, was Ibsen's play a feminist work, devoted to helping women in society, or was it designed to show a different perhaps more universal message. Many critics who have read, seen, and commented on A Doll's House have stated that it is most definitely a feminist work. However, Ibsen himself never forthrightly said that his play was indeed feminist. Yet, something in the play obviously disturbed the man driven society of his time. In fact, several theater productions decided to change the ending of A Doll's House in order to make it more acceptable. I believe that there is no denying the presence of feminist views, characters, and actions in the play. However, I am not convinced that feminism was Ibsen's main message in the play. In order to find the feminist vi
Torvald's) good name, instead of doing what she has thinks is best for herself, she feels she must do what is best for her family (i. Men leaving their families was probably something that happened every now and then and was not nearly as controversial as a woman leaving her dutiful husband and her children. When Nora leaves her husband and family to live on her own and for herself, it represents a person who breaks the chains with which society binds him and truly and freely lives. He looks for a society in which none are oppressed and no ones freedom is compromised. He is the boss and everyone obeys him unquestioningly. As you read on, you can begin to see that Nora fills the role of Torvald's pet, his "little squirrel". Many of Ibsen's other plays from this period also stressed individualism especially as it pertained to individuals being oppressed by society. She is not submissive, nor does she feel like she needs a man to look after her, as Nora seems to. However, as the play progresses, Krogstad develops into a character who helps others to develop. In Act 3, however, everything changes. Using these definitions we can see that feminism seams to be a part of individualism. He believes that the individual must find freedom in his self. Nora's mistakes are revealed, but instead of being submissive to her husband, Nora decides to stand up for herself.
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