Eyes Wide Shut
Like any film that is carefully constructed, Eyes Wide Shut is the sum of its elements and of the ways by which these interact with each other. The most significant elements of the film are color, (particularly red, blue and yellow) sound (such as voices plus external and internal music) and the repeated figures of the Female Nude and Masks.Eyes Wide Shut can be divided into three parts, each of which contains the elements mentioned above. Part I introduces the main characters and their relationship towards each other. Dr. William Harford and his wife Alice attend a party where pianist Nick Nightingale (Todd Field), an old acquaintance of "Bill" and a pivotal character for the plot, provides the music. The Harford's friend and host Victor Ziegler (Sydney Pollack), introduces his wife to his guests and later solicits Bill's medical attention to save the overdosed prostitute and "beauty queen" Mandy (Julienne Davis), who is sprawled naked on a divan in an upstairs room of the mansion, while Ziegler nervously gets dressed. On the wall behind her hangs a large painting of a female nude. In this manner, the figure of the Female Nude is introduced as having a dual significance: as a measure for risk and fatality (Mandy), and as a repr
When Bill is identified as the intruder, he is summoned by the leader (a disguised male who sits on a throne and pounds his demanding staff on the deep red carpet) and must face mysterious and fearful consequences to breaking the rules. This dissonance often successfully represents the incongruent relationship between the two worlds that Bill travels between. )In the meantime, Alice drinks several glasses of champagne and dances with a pressing suitor. The first was Eve (the temptress, who was associated with the serpent and the fall of Man) and the second was Mary (the mother, who was associated with redemption and the birth of Christ. He leans on the edge of his deep-red pool table; he rolls a ball with the palm of his hand. In his world, the characters are identifiable and their roles are defined. One can understand his obvious desire to "get back" at her. After leaving the prostitute's house, Bill visits his friend Nick at a local bar. In other words, Milich's hidden transformation from being angered to being pleased by the situation points to Bill's ignorance of the "rules of the game. Bill is unable to resist the obvious temptation of beautiful women, especially after his wife reveals her obsession with the naval officer. Nick confesses that he is hired regularly by a group of eccentric men to play piano blindfolded at their congregations, and that he is to attend the mansion that same night. In the first sequence of this second part, Bill attends to the death of a patient, whose inconsolable daughter Marion (Marie Richardson) confesses her love for him in a slow and jagged voice (loss and heartache being here the justifiers. The events that lead up to Bill's arrival at the mansion (from his encounter with Nick to finding a costume) introduce the character to a world that differs from those of his home, his work, and his friend Ziegler's mansion.
Common topics in this essay:
Vinessa Shaw,
Bill Milich's,
Wide Shut,
Female Nude,
Soon Ziegler,
Alice Bill,
Upstairs Bill,
Bill Promises,
Marie Richardson,
Julienne Davis,
female nude,
eyes wide,
wide shut,
eyes wide shut,
ignorance rules game,
repeated figures,
mansion bill,
aesthetic beauty,
house bill,
rules game,
confesses love,
marital values,
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Acceptance Essays
