Subjects:
Bordereau herself, who is no wistful survivor of the past, but
a diabolical incarnation of it, greedy of its power to bargain
with the present, and wearing over her eyes, as celebrated in
Aspern’s verse, a green eyeshade like a gamble’s.
In Henry James’ novel, The Aspern Papers, out the three main characters there is a woman whose mind, body, and spirit is filled with a lifetime of isolation, confinement, control, and reclusiveness. Juliana Bordereau is the strongest character in James’ novel and throughout the entire novel has control over the rest of the characters with her diabolical and mysterious workings. Juliana is the backbone to the plot, and even though her actions and even her motives are underlining, her strong presence and domineering control are everlasting.
Juliana “lived obscurely in Venice…on very small means, unvisited, unapproachable, in a sequestered and dilapidated old palace” (1) where she was isolated from the world and holds unattainable in her prison-like home the desire of many greedy and money-hungry men: Jeffrey Aspern’s letters that had never before been exposed to the outsid
. . .
The constant struggle between the narrator and Juliana, as well as the overbearing control of Juliana over Miss Tina, are the key elements in the plot along with the prevalent themes of a quest, the past versus the present, and the evil which money can bring. She holds a certain control over the narrator that allows her to frighten him into thinking at times that she knows his true intent. Whether Miss Bordereau is viewed as evil or good, her presence, impact, and actions are fully felt throughout the book and always keep the reader wondering what exactly the mystery is behind the mask.
Juliana holds extreme power not only over the narrator but also over Miss Tina, her niece.
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